从“舞蹈的仆人”到“舞剧的灵魂”

发布时间：2018-04-25 09:04

本文选题：芭蕾舞剧 + 芭蕾舞剧音乐　；参考：《天津音乐学院》2005年硕士论文

【摘要】： 芭蕾舞剧是融音乐、哑剧、舞台美术、文学于一体的综合性艺术，在三百多年的发展历程中，随着不同时代文化的发展，芭蕾舞剧的精神内涵以及形式都在发生着变化，其中一个突出的现象就是音乐的作用越来越重要，它不再只是为舞蹈提供节奏和气氛的简单音响，而是变成了舞剧整体精神的来源，，无论在情节的推动、戏剧性场面的渲染以及抒情性表现上，无论在段落结构安排以及人物形象的塑造方面，都起着至关重要的作用。“音乐是舞剧的灵魂”这种思想越来越明确。这个变化是怎样形成的?它与各个时代的文化精神、与音乐、舞蹈艺术的本体发展有怎样的关系?它体现了怎样的深层原因?音乐究竟是如何在舞剧中统领舞蹈的?笔者试图对这些问题进行探讨。为清晰地展现舞剧艺术中音乐与舞蹈关系的演变，本文首先对芭蕾舞剧的历史进行简略梳理，之后将重点放在20世纪中期的戏剧芭蕾舞剧代表作、苏联作曲家哈恰图良的《斯巴达克》分析上，以此为例说明作为“舞剧灵魂”的音乐具有怎样的意义和特点。本文第一部分是对芭蕾舞剧艺术发展史的简略回顾，包括从十七世纪诞生到二十世纪中期的现象，其观察重点是音乐在舞剧中的地位及意义之演变。第二部分是对二十世纪中期的芭蕾舞剧杰作《斯巴达克》的分析，并将其与十八世纪芭蕾舞剧《关不住的女儿》、十九世纪芭蕾舞剧《吉赛尔》进行比较研究。第三部分是结语。
[Abstract]:Ballet is a comprehensive art which combines music, pantomime, stage art and literature. In the course of more than 300 years of development, with the development of different times, the spiritual connotation and form of ballet are changing. One of the prominent phenomena is that the role of music is becoming more and more important. It is no longer only for dance. A simple sound for rhythm and atmosphere has become a source of the whole spirit of the dance drama. It plays a vital role in the promotion of the plot, the rendering of the dramatic scenes and the expression of lyricism. The idea of "music is the soul of the dance drama" is becoming more and more important. It is true.
How does this change come into being? How does it relate to the cultural spirit of the times and the development of the noumenon of music and dance art? How does it reflect the deep reason? How is music to lead the dance in the dance? The author tries to discuss these questions. To clearly show the relationship between music and dance in the art of dance drama. In this paper, the history of ballet is briefly reviewed, and then the emphasis is placed on the representative works of the drama ballet in the middle of the twentieth Century, and the analysis of the Soviet composer kazakhanta's "Spartan", as an example of how the music of "the soul of the dance drama" has its meaning and characteristics.
The first part of this article is a brief review of the history of the art development of ballet, including the phenomenon from the birth of seventeenth Century to the middle of the twentieth Century. Its emphasis is the evolution of the status and significance of music in the dance drama. The second part is the analysis of the masterpiece of Ballet in the mid twentieth Century, "Bardac >" and its eighteenth Century ballet. The third part is the conclusion of the comparative study of the nineteenth Century ballet, Giselle.

【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J718

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