湖南地花鼓“三步半”在舞蹈作品中的运用

发布时间：2018-04-28 17:29

本文选题：三步半 + 一旦一丑　；参考：《北京舞蹈学院》2016年硕士论文

【摘要】：《思情鬼歌》又称《鬼歌子》是株洲市醴陵(县级市)的一首家喻户晓的民谣,主要表达青年男女对爱情、对生活的追求和向往,情意绵绵,在民间广为传唱。也是体现“湘女多情”的一个典型。因此笔者挑选此题材,从一个民谣切入,运用地花鼓传统步法“三步半”的动态(走三步留半步)来表现“欲擒故纵”在湖南青年男女谈情说爱、打情骂俏过程中的恋爱方式。本论文以叙写湖南地花鼓典型步法“三步半”在作品《思情鬼歌》中的运用来介绍湖南地花鼓的传统审美形式以及如何将地方舞蹈动态素材与地方民间文化连接起来进行艺术作品的创作,并在塑造人物关系时,将地花鼓“三步半”的动作动机与作品中人物的心理动机相结合,以作品《思情鬼歌》中三段女子对自己心上人的思念之情为结构进行舞段的编排与表演,来分析与探讨民间舞蹈素材与民间舞蹈创作中变与不变的关系。“三步半”在作品《思情鬼歌》中的运用,让笔者就如何能在编创与表演当地民间文化舞蹈作品的同时,选取一个最具代表性的动态元素与作品中的动作动机相匹配,以情感主线与动作主线为轴,对传统地花鼓舞蹈文化进行重新梳理,对舞蹈动态进行选择、调整、连接,从而对作品结构进行设计与编排。在遵循该民间舞蹈审美的前提之下,结合作品化与舞台化的审美要求进行再创作。尝试将原本已消失在人们视野中的民间舞蹈动态素材进行挽救与梳理,也期望大众能对该地区民间舞蹈动态文化给予更多的关注。
[Abstract]:Also known as "Ghost Song", it is a household ballad in Liling, Zhuzhou City, which mainly expresses young men and women's love, pursuit and yearning for life, and is widely sung among the people. It is also a typical embodiment of Hunan woman's love. Therefore, the author chooses this theme, from a folk song cut into, uses the ground flower drum traditional step method "three steps and a half" dynamic (walk three steps to stay half step) to express "hard to get" in the Hunan young man and woman to talk about love, flirts in the process of love. This paper introduces the traditional aesthetic form of Hunan floor flower drum and how to connect the dynamic material of local dance with local folk culture by describing the application of "three steps and a half" in the works of "thinking about Ghost songs". Get up and create works of art, And in shaping the relationship between the characters, the action motivation of "three steps and a half" of the ground flower drum is combined with the psychological motivation of the characters in the works. In order to analyze and discuss the relationship between the material of folk dance and the change and invariance in the creation of folk dance, the structure of the three sections of women's yearning for their beloved is the arrangement and performance of the dance section. The application of "three steps and a half" in the work "thinking about the Ghost Song" allows the author to choose the most representative dynamic element to match the action motivation of the work while compiling and performing local folk cultural dance works. On the axis of emotion and action, the traditional culture of flower drum dance is rearranged, the dynamic dance is selected, adjusted and connected, and the structure of the work is designed and arranged. In accordance with the premise of folk dance aesthetic, combined with the aesthetic requirements of work and stage to re-create. This paper attempts to save and comb the dynamic material of folk dance which has disappeared from people's view, and hopes that the public will pay more attention to the dynamic culture of folk dance in this area.
【学位授予单位】：北京舞蹈学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J722.212

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