当前位置:主页 > 文艺论文 > 舞蹈论文 >

敦煌舞传播探究

发布时间:2018-04-29 19:09

  本文选题:敦煌舞 + 传播 ; 参考:《西北民族大学》2017年硕士论文


【摘要】:敦煌这一古丝绸之路上的"咽喉重镇",今天它再度辉煌,响彻全球。属于中国古典舞范畴的敦煌舞的起源,是中国舞蹈史学家们智慧的发现和建议,促使甘肃省歌舞团首先运用敦煌艺术创作演出了以丝绸之路为题材的舞剧《丝路花雨》,紧接开创的教学体系的创建,是由舞蹈教育家高金荣从敦煌莫高窟壁画中进一步研究、创造产生形成的新舞种,命名"敦煌舞"。当今在"一带一路"精神照耀和视野下有着非凡意义。它即是继承和弘扬传统文化,又是当代的新创造。这个流派从基本动作训练到代表性剧目再到舞剧,已形成一套完整的教学体系。敦煌文化不仅仅是西北地区的文化,更是中华民族的文化,世界的文化。因此传承传播敦煌舞这门艺术有重要意义。本论文主要以敦煌舞的传承、传播为研究方向,通过专业舞蹈院校和大众舞蹈普及两个方面对敦煌舞的传播现状进行分析研究,找出敦煌舞传播发展过程中存在的问题,提出一些意见和设想,如:专业方面要有学科建设,加强实践演出;大众方面要有适宜普及的教材进入普通学校和群众舞蹈中。敦煌舞的传播探究这一论文题目就是本人攻读这一学科的目标与愿望。论文涉及"敦煌舞"和"传播"两个概念,但我研究的是敦煌舞的传播。传播实际上是自有人类以来就存在的一种行为和社会现象。本人在论文提出了多个领域传播敦煌舞的方法及设想,并结合研究方向用蒙语翻译了《敦煌舞教程》已出版。目的是希望全社会更广泛的关注、了解、认识敦煌舞,使之发扬光大。通过有计划、有组织、有力度的传播方法使敦煌舞鲜明地立足于国家以至世界舞坛之中。
[Abstract]:Dunhuang, the ancient Silk Road on the "throat town", today it resplendent, resounding the world. The origin of Dunhuang dance, which belongs to the category of Chinese classical dance, is a wise discovery and advice of Chinese dance historians. The Gansu Song and Dance Troupe first used Dunhuang art to create and perform the silk road dance play "Silk Road Flower Rain". The creation of the teaching system created immediately was further studied by dance educator Gao Jinrong from the Dunhuang Mogao Grottoes murals. Create a new dance species, named Dunhuang Dance. Nowadays, under the spirit of Belt and Road, it is of great significance. It is not only to inherit and carry forward the traditional culture, but also a new contemporary creation. This school has formed a complete teaching system from basic action training to representative repertoire to dance drama. Dunhuang culture is not only the culture of Northwest China, but also the culture of the Chinese nation and the world. Therefore, the transmission of Dunhuang dance this art has an important significance. This paper mainly takes the inheritance and communication of Dunhuang dance as the research direction, analyzes the present situation of Dunhuang dance dissemination through professional dance schools and popular dance popularization, and finds out the existing problems in the process of Dunhuang dance communication and development. Some suggestions and ideas are put forward, such as the discipline construction in the professional field and the practical performance, and the suitable teaching materials for the masses to enter into the ordinary schools and the mass dance. The topic of this thesis is my goal and wish to study this subject. The thesis involves the concepts of Dunhuang Dance and Communication, but I study the dissemination of Dunhuang Dance. Communication is actually a kind of behavior and social phenomenon existing since the existence of human beings. In this paper, I put forward the methods and ideas of spreading Dunhuang Dance in many fields, and translated the course of Dunhuang Dance into Mongolian. The purpose is to make the whole society pay more attention, understand and understand Dunhuang dance. By means of planned, organized and dynamic communication, Dunhuang dance is firmly established in the world as well as in the country.
【学位授予单位】:西北民族大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J722.4

【相似文献】

相关期刊论文 前10条

1 朱玉红;;谈中国古典舞的身韵[J];艺术广角;2000年03期

2 唐满城;对中国古典舞在新世纪发展的期望[J];北京舞蹈学院学报;2002年01期

3 韩瑾;论中国古典舞“结合课”缘由、结构与功能[J];北京舞蹈学院学报;2002年02期

4 翁世晖;中国古典舞动态语言的“中性化”取向及其意义[J];福建艺术;2002年05期

5 王伟;对中国古典舞学科发展的再认识[J];舞蹈;2002年03期

6 韩瑾;“结合课”——创建中国古典舞的最佳选择[J];舞蹈;2002年10期

7 杨U,

本文编号:1821196


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wdlw/1821196.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户7658e***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com