作品《yao》的舞蹈剧

发布时间：2018-04-30 17:23

本文选题：舞蹈剧场 + 蘩漪　；参考：《北京舞蹈学院学报》2017年03期

【摘要】：本文通过作品《yao》三个维度的创作分析,深度切入挖掘作者创作手段背后的思考过程,形成这一过程的关键便是窥探出作品《yao》舞台表达的现代性思维与整合。编导通过艺术学科之间的跨界融合,最终形成具有舞蹈剧场这一当下前瞻性的舞台呈现方式,所有手段都为舞台核心人物——"蘩漪"的形象传达服务,通过三个艺术学科的融合,将舞蹈语言、话剧语言、戏曲语言进行有机关联,最终形成一个舞台视觉的统一整体,并且使得蘩漪这个人物内心情绪在多元化的舞台塑造中,完成了具有剧场属性、抽象符号感的审美与信息的舞台呈现,将舞蹈剧场的创作前瞻性淋漓尽致地表现出来。
[Abstract]:Through the creation analysis of three dimensions of the work < yao >, this paper deeply cuts into the thinking process behind the author's creative means, and the key to form this process is to explore the modernity thinking and integration of the stage expression of the work < yao >. Through the cross-border fusion of artistic disciplines, the choreographer finally forms the present, forward-looking way of presenting the stage, all of which serve the image of "Fanyi", the core figure of the stage Through the fusion of the three artistic disciplines, the dance language, the drama language and the opera language are organically linked to form a unified whole of stage vision, and make Fanyi the character's inner emotion in the pluralistic stage shaping. It completes the stage presentation of the aesthetic and information with theatrical attribute, abstract symbol sense, and shows vividly and vividly the creation of dance theater.
【作者单位】：中央民族大学舞蹈学院;
【分类号】：J704

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