满族舞蹈发展态势研究

发布时间：2018-05-03 01:28

本文选题：满族舞蹈 + 发展态势　；参考：《吉林艺术学院》2017年硕士论文

【摘要】：本文以满族舞蹈发展的态势为主要研究对象,从满族民族文化入手,以解放前、解放后至上世纪七十年代、上世纪八十年代至今为三个时间节点。梳理了三个时间段满族舞蹈不同的发展态势,即:外力影响下的融合;内力推动下的再生;再生后对满族舞蹈内涵的重新探索。外力影响下的融合主要体现在与其他民族的融合和与自己本民族文化的融合两个方面。内力推动下的再生主要体现在民族文化意识下的民间舞蹈创作和满族文化符号的传承和审美风格的保护。再生后对满族舞蹈的重新探索主要体现在,自然传承转向舞台传承以及在舞蹈个性中重建创作动力。对此论题的梳理和探究是在深入挖掘满族舞蹈文化的同时,也为日后满族舞蹈的创作实践提供可借鉴的理论依据。
[Abstract]:In this paper, the development of Manchu dance as the main research object, starting from the Manchu national culture, before liberation, after liberation to the 1970s, last century 80's has been three time nodes. Combing three periods of Manchu dance different development trends, namely: external forces under the influence of fusion; internal forces under the promotion of regeneration; after regeneration of the Manchu dance connotation of re-exploration. The fusion under the influence of external force is mainly reflected in the fusion with other nationalities and with their own culture. The regeneration driven by internal force is mainly reflected in the folk dance creation under the national cultural consciousness, the inheritance of Manchu cultural symbols and the protection of aesthetic style. The re-exploration of Manchu dance after regeneration is mainly reflected in the natural inheritance and stage inheritance as well as the reconstruction of creative power in the dance personality. Combing and exploring this thesis is not only to dig the Manchu dance culture deeply, but also to provide the theoretical basis for the creation practice of Manchu dance in the future.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.22

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