《全宋词》中的乐舞史料研究

发布时间：2018-05-03 04:26

本文选题：全宋词 + 乐舞　；参考：《河南师范大学》2017年硕士论文

【摘要】：中国的舞蹈从诗、歌、舞三位一体的形态一直到三者独立发展,经历了漫长的历史过程,直到宋代,舞蹈的发展有了实质性的改变,为后世戏曲舞蹈奠定了基础,也为后世中国古典舞的身段提供了可能性。宋代的乐舞是在唐代的基础上继承发展起来的,是我国舞蹈史上不可分的一部分,亦是我国舞蹈史上光辉灿烂的一页。本文正是从《全宋词》中记载的有关舞蹈的诗词作为切入点,并且结合其他史料梳理宋代乐舞的种类、特征及宋代乐舞繁盛的原因,研究宋代乐舞的发展。本文分为五个部分进行论述:第一部分是绪论,从四个方面阐述了本文的研究意义、研究方法、研究现状、创新之处。第二部分是简单梳理了《全宋词》中的乐舞词作的数量;《全宋词》作为史料应该注意的问题;乐舞在宋代的情况简单说明;并对词作进行分类第三部分则是分为两节,第一节通过其他的文献史料梳理了宋代以前的乐舞发展:从远古时期刚刚形成;商周时期的祭祀乐舞逐步建立;再到秦汉时期乐舞的大发展,最后唐代乐舞成为我国舞蹈历史上的顶峰;第二节结合《全宋词》中有关乐舞的词作对我国的乐舞发展状况进行具体的阐述分析。第四部分是本文的重点章节,从五个方面分别梳理《全宋词》中宋代乐舞的三种表演类型、宋代乐舞的种类:渔父舞;抛球乐;太清舞等等、宋代乐舞的特点、宋代乐舞的服饰、宋代乐舞雅化倾向。这一章还结合了其他史料中对乐舞的记载分析了乐舞表演的程式化、综合性特征。第五部分则是梳理了宋代乐舞的繁盛的原因,这一部分结合其他史料进行分析,从宋代乐舞的表演机构、乐籍制度、民族融合这三个方面进行阐述。最后笔者从整体上叙述了宋代乐舞对后世的影响。宋代的乐舞是我国舞蹈史上的一个转折点,宋代乐舞与前世最大的不同之处在于加入了一定的故事情节,是在运用故事去表达作者的思想感情,单纯的舞蹈逐渐淡出历史舞台,有歌有舞有故事情节的舞蹈占据了主流。
[Abstract]:China's dance from poetry, song, dance trinity form all the way to the three independent development, experienced a long historical process, until the Song Dynasty, the development of dance has a substantial change, which laid the foundation for future generations of opera dance. It also provides the possibility for the body of Chinese classical dance in later generations. The music and dance of the Song Dynasty was inherited and developed on the basis of the Tang Dynasty. It is an inseparable part in the history of Chinese dance and a splendid page in the history of Chinese dance. This paper studies the development of music and dance in Song Dynasty by combing the kinds and characteristics of music and dance in Song Dynasty and the reasons for the prosperity of music and dance in Song Dynasty by combing the kinds and characteristics of music and dance in Song Dynasty from the poems about dance recorded in "all Song ci" as a starting point. This paper is divided into five parts: the first part is the introduction, from four aspects of the research significance, research methods, research status, innovation. The second part is a simple combing of the number of music and dance ci poems in the whole Song Dynasty; the problems that should be paid attention to as historical materials; the simple explanation of the situation of music and dance in the Song Dynasty; and the classification of the ci poems. The third part is divided into two sections. The first section combs the development of music and dance before Song Dynasty through other historical documents: from ancient times just formed; from Shang and Zhou dynasties to the establishment of sacrificial music and dance; to Qin and Han dynasties music and dance great development, Finally, the Tang Dynasty music and dance became the peak of the history of Chinese dance; the second section combined with the "all Song ci" on the music and dance of the development of the specific analysis of the status of music and dance in China. The fourth part is the key chapter of this paper, combing the three performance types of Song Dynasty music and dance from five aspects, the types of Song Dynasty music and dance: Yufu dance, throwing ball music, Taiqing dance and so on, the characteristics of Song Dynasty music and dance, etc. Song Dynasty music and dance dress, Song Dynasty music and dance elegant tendency. This chapter also analyzes the stylized and comprehensive characteristics of music and dance performance. The fifth part is to comb the reasons for the prosperity of Song Dynasty music and dance, this part combined with other historical materials to analyze from the Song Dynasty music and dance performance institutions, music system, ethnic integration of these three aspects. At last, the author narrates the influence of Song Dynasty music and dance on later generations. The music and dance of the Song Dynasty is a turning point in the history of Chinese dance. The biggest difference between the music and dance of the Song Dynasty and the previous life lies in the addition of a certain story plot, the use of the story to express the author's thoughts and feelings, and the gradual fading of the pure dance out of the historical stage. Dance with songs and dances with storylines dominates the mainstream.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J709.2

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