芭蕾舞训练中的呼吸韵律

发布时间：2018-05-17 14:23

本文选题：呼吸韵律 + 音乐　；参考：《北京舞蹈学院学报》2008年04期

【摘要】：芭蕾舞训练中,一般是躯干与四肢有机结合的动作,伴随着音乐旋律的高低长短而进行的,这些动作又与呼吸相结合,形成各种律动姿态,即:动作的柔韧性、延伸性、流畅性、爆发性练习等,相随的呼吸也各异,有吸气到呼气、吸气再提气、慢吸快呼、快吸慢呼等等。表现以上各种动作的特性都是由力度而得以体现的,而这些力度又受呼吸深浅的影响。如动作的爆发性就需要深沉及快速的呼吸配合,这样做可以使肌肉的内在紧张度增大,由于力的反作用关系,通过外表更加凸现出来。而动作的柔韧性,在律动过程中,因力的相对减弱,要配合以轻的呼吸,肌肉的紧张度也不明显的外显,只在其"中"进行。正是由于这样的呼吸相组合,使芭蕾舞在从一个动作向另一个动作过渡时,在其中形成韧性,动作过程如流水,流而不断,具有独特的流畅性,即使在舞姿的瞬间停顿时,也同样因为呼吸的延绵不绝,造成"余音"相连的效果。
[Abstract]:In ballet training, the movements of the trunk and limbs are generally combined with the height and length of the music melody, and these movements are combined with the breath to form various rhythmic gestures, that is, the flexibility and extensibility of the movement. Fluency, explosive practice, and so on, with different breathing, inhale to exhale, inhale and re-exhaling, slow breathing, quick breathing, slow breathing and so on. The characteristics of the above movements are reflected by the intensity, which is influenced by the depth of the breath. If the burst of action requires deep and rapid breathing cooperation, this can increase the internal tension of the muscle, because of the reaction of the force, through the appearance of more prominent. The flexibility of action, due to the relative weakening of force, should be accompanied by light breathing, muscle tension is not obvious, only in its "in". It is precisely because of this combination of breaths that the ballet forms resilience in the transition from one action to another, in which the course of movement is like running water, flowing and flowing, with unique fluency, even when the dance stops at a moment, Also because of the continuous breath, resulting in the "residual sound" linked effect.
【作者单位】：北京舞蹈学院芭蕾舞系;
【分类号】：J722.5

【共引文献】