梅州席狮舞的舞台创编研究

发布时间：2018-05-25 07:28

本文选题：席狮舞 + 创编　；参考：《广州大学》2017年硕士论文

【摘要】：席狮舞是梅州客家人特有的一种传统民间舞蹈,它是一种在形态上和功能上都别具一格的广东狮子舞,是梅州城区民众在进行传统人生礼仪“香花佛事”时,僧尼穿插于佛场间的一种游艺活动和假形舞蹈,又是佛家僧尼为民间举行吊亡仪式中的一种祭祀性舞蹈。本文运用田野调查法、文献分析法等研究方法,对以下三个部分进行了研究。第一部分对梅州席狮舞的历史渊源、原态风貌及发展现状做了全方位的概述和分析。在此理论研究的基础之上,在第二部分中,对其舞台创编呈现进行总体归纳与分类,将梅州席狮舞的原生型舞人舞蹈与创作型舞蹈在表演内容与形式、人物形象、服装道具、音乐伴奏四个方面进行了对比分析,为梅州席狮舞的舞台创编探索出一条突破口;从而归纳出原生型舞人舞蹈典型“符号”的不变性,与创作型舞蹈在外在形式的延展性,并对不同类型席狮舞舞台作品创编特点的合理扬弃进行了思考。继而在第三部分中,以文化内涵的挖掘、动作形态的回溯以及审美追求的当代化这三个方面为席狮舞作品的实践路径;并对笔者的创编实践作品《忆席狮》与组舞《客家谣》之《席狮情》为例,进行实践呈现的剖析;最后在内在依据的探寻、动作与情感的把握和“艺术”与“技术”的衡量这三个方面进行了梅州席狮舞作品实践经验的总结。从而形成了运用理论研究指导舞台实践,从实践中再次总结经验,反馈于理论研究的创新型研究思路。
[Abstract]:Lion dance is a kind of traditional folk dance that is unique to the Hakka people of Meizhou. It is a kind of Guangdong lion dance which is unique in form and function. It is when the people of Meizhou city are carrying out the traditional life etiquette "fragrant flower Buddha thing". Buddhist monks and nuns interspersed with a kind of recreation activity and false form dance, which is also a kind of sacrificial dance of Buddhist monks and nuns in the ceremony of hanging and dying for the people. In this paper, the field investigation, literature analysis and other research methods, the following three parts are studied. The first part summarizes and analyzes the historical origin, the original style and the present situation of the lion dance in Meizhou. On the basis of this theoretical research, in the second part, the author generalizes and classifies the stage creation and presentation, and puts forward the original dance and creative dance in the performance content and form, character image, costume props, etc. By comparing and analyzing four aspects of music accompaniment, this paper explores a breakthrough for the stage creation of Meizhou Lion Dance, and sums up the invariance of the typical "symbol" of the native dancers' dance, and the ductility of the creative dance in the external form. And the different types of lion dance stage creation characteristics of rational sublation. Then in the third part, the practical path of the lion dance works is the excavation of the cultural connotation, the retrospect of the action form and the contemporary aesthetic pursuit. And the author of the creation of practice works "memory Lion" and group dance "Hakka ballads" Lion "for example, the analysis of the practice presentation, and finally in the internal basis of the exploration, The grasping of action and emotion and the measurement of "art" and "technology" are summarized in the practical experience of Lion Dance in Meizhou. Thus, the innovative research thought of applying theoretical research to guide stage practice, to sum up experience again from practice and to feed back to theoretical research is formed.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.215

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