道教舞蹈的虚拟性特征初探——以斋醮仪式舞蹈为中心的研究

发布时间：2018-05-26 17:29

  本文选题：道教 + 舞蹈　； 参考：《中华文化论坛》2017年02期

【摘要】：道教舞蹈的虚拟性特征既鲜明又独具特色。其虚拟性内容主要指向两方面:一,道教舞蹈中空间环境之虚拟性,舞蹈中"天堂地狱""华夏九州"等皆为虚拟性存在。这些虚拟性环境借助于舞蹈者的肢体语言或现场布景开显而出。"化境""卷帘""立狱""罡单"的设置与铺排、高功法师的掐诀、存想、步罡、念咒皆可营造出虚拟的天堂、地狱、九州景象。二,道教舞蹈中形象的虚拟性。"神仙鬼魅"属于斋醮仪式舞蹈中"隐性的在场者"。"化神""召神""三献""进表""焚表""发炉""复炉""请圣""降圣""发符"等环节皆暗示出"神灵神仙"的降临与在场。"召拷鬼怪""借臂捉鬼"等环节则牵引出"邪精恶祟"的到场。这些"隐性的在场者"是虚拟性的存在,没有这些虚拟性的存在者,道教舞蹈的宗教意义与神圣价值荡然无存。
[Abstract]:The virtual features of Taoist dance are both distinctive and unique. Its virtual content mainly points to two aspects: first, the virtual nature of space environment in Taoist dance, and the virtual existence of "heaven and hell" and "Huaxia Kyushu" in dance. These virtual environments come out with the help of the dancer's body language or live setting. " The setting and laying of "Gang single" in "rolling curtain", "setting up" and "Gang single", the strangling and thinking of Gao Gong mage, step Gang, mantra can create virtual heaven, hell, Kyushu scene. Second, the fictitious nature of the image in Taoist dance. " The Immortals and ghosts "belong to the" recessive presence "in the ritual dance of Zhai Festival. All the links such as "calling God", "offering God", "immolation watch", "burning furnace", "reburning furnace", "please consecrate", "descending saint", "haufu" all imply the arrival and presence of "gods and immortals". " Call cuffed ghosts, "through arms to catch ghosts," and other links are drawn out of the "evil spirit and evil haunting" of the scene. The "hidden presence" is the virtual existence, without which the religious significance and sacred value of Taoist dance disappear.
【作者单位】： 闽南师范大学历史系;
【基金】：国家社会科学基金一般项目“道教舞蹈研究”(项目编号:13BZJ036)阶段性成果
【分类号】：J722.29
，

本文编号：1938196