论研究型创作剧目

发布时间：2018-05-30 07:57

本文选题：研究型创作 + 傩舞　；参考：《北京舞蹈学院》2015年硕士论文

【摘要】：“研究型创作剧目”可以说是对传统艺术素材进行突出主体性的一种新认识、新解读的舞台化的创作实践,其作品创作是以研究为目的,以理论与实践并重的思路为创作基点,追求作品完成的同时完成创作理念的凝结,创作方法的总结。研究作品《方相氏.傩》正是在尊重和理解傩文化的基础上,笔者对其素材(仪式氛围动作素材)进行了加工提纯,并遵循自己的解读赋予其具有时代审美意味的艺术性表达。这一研究型创作剧目的编创过程也是发现和寻觅的过程。这一过程,让笔者进一步认识到,编导在编创的过程中只有对素材背后的文化做到尽可能的关照,找到素材的根源与出处,所运用的素材才会表达的更清晰和准确,才会游刃有余地将最恰当的动作放到作品最恰当的位置。“研究型创作剧目”最早是郭磊教授在北京舞蹈学院2013年冬季演出季推出的作品《傩.面》中提出来的。这一提法可以说是对北京舞蹈学院“教学剧目创作”传统的继承与发展,它源于所谓的“学院派”,形成于以学院派三点一线式传承民族民间舞蹈文化的体系之中,即“田野式采风(民间)——元素教学(课堂)——研究型创作(舞台)”。在传统教学剧目创作的基础上,加大研究能力的锻炼,是提高一名编导或教师综合能力的重要过程。正如笔者以《方相氏.傩》为例的研究型创作过程中,就多次深入江西南丰县石邮村傩舞之乡采风,并通过采访艺人、文献研究、历史考证、资料收集等方面的学习与探究,得知石邮村傩舞可追溯到《周礼》中的“方相氏”“宫廷傩仪式中驱鬼的官吏。最早的文献对方相氏的描述是“掌蒙熊皮、黄金四目、玄衣朱裳、执戈扬盾”,以大傩的仪式为国家驱邪逐疫。随着历史的行进,朝代的更替,方相氏的功能逐渐深入民间演变成了为百姓祈福消灾的民间傩祭仪式。笔者在深入石邮村的几次采风中被当地地浓郁的民间传统风俗深深地感染和打动。正是方相氏这一介于人与神之间的玄妙关系,激发了笔者的好奇心与创作欲。在《方相氏.傩》的研创过程中,笔者对傩舞仪式中的傩神形象特征及其文化形成背景进行了较为详尽的研究与分析,在尊重文化成因与传统审美的前提下,提取元素动作并进行了新的身体诠释。在不断返回傩文化故里反刍式采风学习和体验感受中,笔者遵循以深厚文化为基础的艺术创新,自觉地进行着自我否定和超越,目的是通过舞台抽丝剥茧出民间傩舞透射出的文化内核,并以现代语境的传承方式向观众传播,从而通过傩舞文化启示对美好生活的向往。此次具体创作中,笔者特别关注了古老与现代的深度结合,赋予作品更多神秘色彩,突出某种不可言说的传统与现代深刻联系。
[Abstract]:It can be said that "Research-based creation Drama" is a new understanding of traditional artistic materials, a new interpretation of the stage of creative practice, its work is designed for the purpose of research, with both theory and practice as the basis of the idea of creation. Pursue the completion of the work at the same time complete the condensation of creative ideas, the summary of creative methods. Research works. On the basis of respecting and understanding Nuo culture, the author processes and purifies its material (ceremonial atmosphere action material) and gives it artistic expression with the aesthetic meaning of the times according to its own interpretation. The process of creation of this research production repertoire is also a process of discovery and search. In this process, the author further realized that in the process of compiling and creating, only by taking care of the culture behind the material as much as possible, and finding the source and source of the material, can the material be expressed more clearly and accurately. In order to be able to easily put the most appropriate action in the most appropriate position of the work. R & D Drama was first published by Professor Guo Lei during the 2013 winter performance season of Beijing Dance Academy. Put out in the face. This formulation can be said to be the inheritance and development of the tradition of "teaching repertoire creation" of the Beijing Dance Academy, which originated from the so-called "academic school" and formed in the system of inheriting the folk dance culture of the nation with the school's three-point and one-line style. That is, field-style mining (folk-element teaching (classroom)-research creation (stage). " On the basis of the creation of traditional teaching repertoire, it is an important process to enhance the comprehensive ability of an editor or a teacher to strengthen the training of research ability. As the author of the < square phase. During the research creative process of Nuo > for example, many times went deep into the countryside of Nuo Dance in Shiyou Village, Nanfeng County, Jiangxi Province, and through interviewing artists, literature research, historical textual research, data collection and other aspects of the study and exploration, It was learned that Nuo dance of Shiyou Village can be traced back to the officials who exorcised ghosts in the ceremony of "Fang Xiang's family" in Zhou Li. The earliest description of Xiangshi in the literature is that "the palm is covered with bear skin, the gold is four eyes, the Xuanyi Zhu Chang, holds the Ge Yang shield", with the great exorcism ritual for the country exorcises evil and banishes the epidemic. With the development of history and the replacement of the dynasty, the function of Fang Xiangshi gradually evolved into a folk exorcism ceremony. The author was deeply affected and moved by the local folk customs in several times of mining in Shiyou Village. It is Fang Xiangshi, a mysterious relationship between man and God, which inspires the author's curiosity and creative desire. In the square phase. In the process of research and creation of Nuo >, the author makes a detailed research and analysis on the image characteristics of Nuo God and its cultural background in the Nuo dance ceremony, and on the premise of respecting the causes of culture and traditional aesthetics, The element action is extracted and a new body interpretation is carried out. In constantly returning to the hometown of Nuo culture to learn and experience the ruminant style, the author follows the artistic innovation based on deep culture and consciously negates and transcends himself. The purpose is to reveal the cultural core of folk Nuo dance through the stage, and spread it to the audience in the way of modern context, so as to inspire the yearning for a better life through the cultural enlightenment of Nuo dance. In this creation, the author pays special attention to the deep combination of the ancient and the modern, endows the works with more mysterious colors, and highlights the profound connection between some unspeakable tradition and the modern.
【学位授予单位】：北京舞蹈学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J705

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