“视错觉”与舞蹈舞台调度的物理空间塑造力

发布时间：2018-05-30 13:52

本文选题：视错觉 + 透视性舞台调度　；参考：《北京舞蹈学院学报》2017年05期

【摘要】：空间"塑造力"是舞蹈创作中舞台调度研究的核心问题之一,其目的在于使舞蹈的"物理空间"与"虚幻空间"无形融合,在"有限"的空间里实现"无限"的表达。本文依据"力效"原理,从"视错觉"审美效果阐述"物理空间"在舞蹈创作中的的塑造力:第一,线性透视错觉调度改变物理空间深度;第二,运动透视错觉调度突破物理空间秩序;第三,光影透视错觉调度重构物理空间维度;第四,错位透视错觉调度再造物理空间形象。
[Abstract]:The space "molding force" is one of the core issues in the research of stage scheduling in dance creation. The purpose is to make the "physical space" and "illusory space" incorporeal into the dance, and to realize the "infinite" expression in the "limited" space. This article, based on the principle of "force effect", expounds the shaping power of "physical space" in the dance creation from the aesthetic effect of "visual illusion". First, the linear perspective illusion scheduling changes the physical space depth; second, the motion perspective illusion scheduling breaks through the physical space order; third, the optical and shadow perspective illusion scheduling reconstructs the physical space dimension; fourth, the dislocation perspective illusion scheduling reconstructs the physical space image.
【作者单位】：广东工业大学通识教育中心;
【基金】：2015年度国家社科基金艺术学项目《现当代舞蹈创作的“透视性”舞台调度研究》(项目编号:15CE139)课题论文
【分类号】：J711

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