神话传说中的山东舞蹈

发布时间：2018-06-02 22:00

本文选题：神话 + 鸟图腾　；参考：《山东艺术学院》2015年硕士论文

【摘要】：神话是一个民族在特定的历史时期中形成的,它是人类早期对于自然和图腾崇拜的一种具体体现,是一个民族和国家精神的象征,在历史的发展中起着十分重要的作用。山东地处黄海、渤海之滨,巍巍泰山屹立于此,具有着悠久的历史文化,也是中华民族古老文明的发祥地之一。远古时期的山东是古东夷族的聚居地,居住于此的先民生活于无际的大海与巍峨的山脉之间,地理环境的影响使他们对山川、大海充满了无尽地幻想和崇拜。东夷族是以鸟(凤凰)为图腾崇拜的民族,他们创造出了许多关于凤鸟、泰山和大海的神话。而作为人类早期思想意识产物之一的神话,同人类最原始的艺术形式音乐、舞蹈、诗歌,自然是紧密联系在一起的。据考证,大部分史籍和远古神话中,大量保存着原始氏族部落乐舞活动的记录。本论文将从远古神话中演绎出的山东舞蹈为研究对象,以东夷先民对鸟图腾、泰山,以及大海的崇拜为研究切入点,针对其在不同历史时期的发展、演变,以及现当代的遗存做一系列的分析和梳理。随着历史的变革和时间的冲洗,神话传说中的山东舞蹈已由最原始初期单一的动物化、自然化的表现形式,过渡成为极具民族性、地域性、艺术性和娱乐性等的多种不同的表现形式,并具有深厚的文化内涵,值得我们进一步的关注与保护。全文包括绪论、正文和总结三个部分。绪论部分主要是对本论文的选题背景、研究意义,以及研究方法等做一系列阐述。正文部分第一章主要针对“神话”的定义、研究范围,以及先秦山东地区的神话传说作一总的概述,为本论文将要展开研究的东夷人因对鸟图腾、泰山和大海的崇拜而产生出的神话传说的研究范围作出概括与铺垫;第二章主要将东夷先民对鸟图腾的崇拜为主要研究依据,以东夷人因鸟图腾崇拜而衍生出的神话传说及其文化内涵为研究的切入点,分析和论述东夷鸟图腾舞蹈的起源、发展,以及现存状况,着重分析其发展演变过程中的内容与形式的关系。第三章以人们对泰山崇拜而衍生出的神话传说为基础,通过古代帝王对泰山的封禅祭祀活动的考察,将历代帝王的泰山封禅活动为研究主线,对封禅乐舞的起源、发展、流变,以及现存情况进行剖析和梳理,揭示其发展与演变的客观规律及其功能意义的转变。第四章以东夷人因海洋崇拜而产生的神话传说为切入点,以东夷人的祭海活动为研究主线,对祭海乐舞的发展、演变,以及现当代遗存状况进行分析和梳理。最后针对本论文研究的内容做出总结。
[Abstract]:Mythology is formed by a nation in a specific historical period. It is a concrete embodiment of the worship of nature and totem in the early period of human being. It is a symbol of the spirit of a nation and a nation, and plays a very important role in the development of history. Shandong is located in Huang Hai, Bohai Sea, towering Mount Tai stands here, with a long history and culture, is also one of the birthplaces of the ancient civilization of the Chinese nation. In ancient times Shandong was the settlement of the ancient Dongyi ethnic group. The ancestors who lived there lived between the boundless sea and the lofty mountains. The influence of the geographical environment made them full of endless fantasy and worship to the mountains and rivers. The Dongyi people, who worship birds (Phoenix) as totem, have created many myths about Phoenix birds, Mount Tai and the sea. As one of the early products of human ideology, mythology is closely related to the most primitive art forms, music, dance and poetry. According to textual research, most historical books and ancient myths contain a large number of records of primitive clan music and dance activities. This thesis will deduce from the ancient mythology Shandong dance as the research object, take the Dongyi ancestors' worship to the bird totem, the Tai mountain, and the sea as the research breakthrough point, according to its development in the different historical period, evolves, And the remains of the present and contemporary do a series of analysis and combing. With the change of history and the development of time, the Shandong dance in mythology and legend has been transformed from a single animal in the most primitive stage to a natural form of expression, and has become extremely national and regional. There are many different forms of art and entertainment, and they have profound cultural connotations, so they deserve our further attention and protection. The full text includes the introduction, the text and the summary three parts. The introduction part is a series of exposition on the background, research significance and research methods of this paper. The first chapter of the text mainly focuses on the definition of "myth", the scope of research, and the mythology and legends of Shandong region in the pre-Qin Dynasty, which is the Dongyi people's totem of birds that will be studied in this paper. The research scope of mythology and legends arising from the worship of Mount Tai and the sea is summarized and paved. The second chapter mainly takes the worship of bird totem by the ancestors of Dongyi as the main research basis. Based on the mythology and legends derived from bird totem worship and its cultural connotation of Dongyi people, this paper analyzes and discusses the origin, development and existing situation of Dongyi bird totem dance. The relationship between the content and the form in the process of its development and evolution is analyzed emphatically. The third chapter is based on the mythology and legends derived from people's worship of Mount Tai. Through the investigation of ancient emperors' worship of Mount Tai, the main line of the study is the activities of the emperors of the past dynasties, and the origin, development and evolution of the music and dance of Feng Zen. And the existing situation is analyzed and combed to reveal the objective law of its development and evolution and the transformation of its functional significance. The fourth chapter takes the mythology and legends of Dongyi people from the worship of the sea as the breakthrough point, taking Dongyi people's activities of sacrificing the sea as the main line of study, analyzes and combs the development, evolution, and the status of the present and contemporary relic of the sacrifice of the sea music and dance. Finally, the content of this paper is summarized.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J722.2

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