从人类学视角看“舞悦内蒙古”舞蹈精品展演的结构与仪式特征

发布时间：2018-06-14 16:17

本文选题：“舞悦内蒙古”舞蹈精品展演 + 历史记忆　；参考：《北京舞蹈学院学报》2015年S1期

【摘要】："舞悦内蒙古"舞蹈精品展演的剧目,是由内蒙古舞蹈家协会组织专家进行挑选的,属于专业角度标准下的选择,在推选剧目——组织排练——进行展演的这一过程中,没有非官方组织以及非专业舞蹈机构参与。笔者以文化人类学视角将这一情境下的"舞悦"展演看作是官方角度的记忆表述,是官方权力对内蒙古舞蹈发展历史的阐释方法。展演中通过对观众身份的再造与互换,利用传媒以及现场观众的能动性向外界塑造巨大的幻象,建构出展演的价值意义,完成其在"草原文化节"这一仪式中的使命,以舞蹈的方式表述了草原文化内涵,也通过展演的重复在内蒙古地区的舞蹈语境中建构了一种文化认同的方式,"舞悦"展演既建构了内蒙古的舞蹈神话,也塑造了内蒙古的舞蹈信仰。
[Abstract]:The repertoire of the "Dance Yue Inner Mongolia" dance exhibition was selected by experts organized by the Inner Mongolia dancers Association. It is a choice under the professional standard. In the process of selecting the repertoire-organizing rehearsals-performing the show, Non-official organizations and non-professional dance organizations are not involved. From the perspective of cultural anthropology, the performance of "Dance Yue" in this context is regarded as an official expression of memory, and a method of explaining the history of dance development in Inner Mongolia by official power. In the exhibition, the audience's identity is reconstructed and exchanged, the media and the audience's initiative are used to create a huge illusion to the outside world, the value meaning of the exhibition is constructed, and its mission in the ceremony of "grassland Culture Festival" is completed. It expresses the connotation of grassland culture in the way of dance, and also constructs a way of cultural identity in the dance context of Inner Mongolia through the repetition of the performance. The exhibition of "Dance Yue" not only constructs the dance myth of Inner Mongolia, Also shaped the dance belief in Inner Mongolia.
【作者单位】：中央民族大学舞蹈学院;
【分类号】：J705

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