历史传说与动作摹本

发布时间：2018-06-27 15:39

本文选题：独脚舞 + 大禹传说　；参考：《中国艺术研究院》2015年硕士论文

【摘要】：在我国民间舞蹈中,常见的“高跷”是舞者双脚各踩一根木跷来表演,但在河南登封孟村,村民们却喜欢把双脚同时踩在一根木跷上,蹦跳着表演,此舞名叫“独脚舞”。这一特殊的舞蹈是以大禹治水这一深厚的历史积淀与人文生态环境为其基础,在孟村这样一个自然而相对封闭的村落中世代传承。根据田野调查可知,“独脚舞”的传承至今已有七、八代之久,至少在清代时己经流传。“独脚舞”也是河南最具代表性、典型性的民间舞蹈之一。本论文旨在对河南登封孟村“独脚舞”进行比较深入的考察、梳理与研究。在本文第一章中,笔者梳理了“独脚舞”的产生与流传。在孟村这样一个自然村落,“独脚舞”的产生与流传是一个较为特殊的个案,基于特殊的地理人文环境,依托登封所独有的历史文化背景,大禹治水的神话传说是“独脚舞”的历史底本,夏代历史及其相关遗迹,包括登封民间文化信仰等,都为“独脚舞”的长期流传铺垫了相应的历史和社会文化语境。在第二章中,笔者通过田野调查探索了“独脚舞”的传承方式、表演程式以及舞蹈动作形态。通过运用“中国古代乐舞史”中“诗乐舞三位一体”的研究方法,对“独脚舞”的音乐、舞蹈、服饰、道具、历史传说内涵等进行了分析,诠释了“独脚舞”形态特点。在第三章中,笔者分析了“独脚舞”传承的历史面貌与现实状况,并对其未来的传承做出了展望。在传承中民间艺人、文化馆员,以及地方政府都各尽其责,发挥自己的职能,从不同的角度对“独脚舞”的传承与发展,贡献了力量。民间舞蹈是中国古代乐舞的重要组成部分,希望通过本文的探索能为中国乐舞历史研究尽一份绵薄之力。
[Abstract]:In the folk dance of our country, the common "stilts" is the dancers' feet on one wooden stilts to perform, but in the Henan Dengfeng Meng Village, villagers like to put their feet on a wooden stilts at the same time, bungee performance, this dance is called "one-legged dance." This special dance is based on the deep historical accumulation and humanistic ecological environment of Dayu flood control, and is inherited from generation to generation in a natural and relatively closed village like Mengcun. According to field investigation, the "one-foot dance" has been handed down for seven or eight generations, at least in the Qing Dynasty. One foot dance is also one of the most representative and typical folk dances in Henan. The purpose of this thesis is to make a thorough investigation, combing and research on the Mongnun Village in Dengfeng, Henan Province. In the first chapter of this paper, the author combs the emergence and spread of one-legged dance. In a natural village like Mengcun, the emergence and spread of "one-legged dance" is a relatively special case, based on the special geographical and cultural environment, relying on the unique historical and cultural background of Dengfeng. The myths and legends of Dayu controlling water are the historical base of "one-legged dance". The history of Xia Dynasty and its related relics, including the folk cultural belief of Dengfeng, all pave the way for the long-term spread of "one-legged dance" in the context of history and social culture. In the second chapter, the author explores the inheritance mode, performance program and dance movement form of one-legged dance through field investigation. By using the research method of "poem music and dance trinity" in the History of Chinese Ancient Music and Dance, this paper analyzes the music, dance, costume, props and historical legends of "one-legged dance", and interprets the morphological characteristics of "one-legged dance". In the third chapter, the author analyzes the historical and realistic situation of the inheritance of "one-foot dance", and makes a prospect for its future inheritance. In the inheritance of folk artists, cultural center staff, and local governments to do their duty, play their own functions, from different angles of "one-legged dance" heritage and development, contributed to the strength. Folk dance is an important part of ancient Chinese music and dance.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J722.21

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