从《人民胜利万岁》到中华《复兴之路》——新中国舞蹈艺术发展60年感思

发布时间：2018-07-02 07:37

本文选题：新中国年 + 舞蹈艺术　；参考：《艺术百家》2009年05期

【摘要】：在新中国成立60周年国庆日前正式公演的大型音乐舞蹈史诗《复兴之路》,被认为是继《东方红》和《中国革命之歌》之后的第三部"史诗性"作品。其实,在新中国成立前夕演出的大歌舞《人民胜利万岁》,其所具有的"史诗性"品质可视为《东方红》的先声。纵观新中国舞蹈艺术辉煌发展的60年,就是我们的舞蹈家为建设新中国的人民文艺而奋斗的60年。事实上,从毛泽东"文艺为最广大的人民群众服务"到邓小平"人民是文艺工作者的母亲",从江泽民"在人民的历史创造中进行艺术的创造"到胡锦涛"文艺工作者要积极反映人民心声",从我们长期坚持的"二为"方向到新近倡导的"三贴近"原则,都明确说明"人民文艺"的理念是我们优秀舞蹈艺术作品的生命之源和精神之光。客观上,新中国舞蹈艺术在60年间的发展也并非一帆风顺。但回望这段经历可以清楚地看到,尘埃落定而光彩依然的舞作必定来自生活沃壤的馈赠,岁月逝去而青春永驻的舞人也必定来自扎根生活的信念。有人说,舞剧是舞蹈艺术的最高体现。其实,除了苏联时期在相当长一个时段内比较重视舞剧艺术之外,目前世界范围内还没有哪个国家有中国在新时期所诞生的这么数量众多而又精彩纷呈的舞剧作品。暂且不论我们的舞剧创作之间存在多大差别,仅仅目前这所有的舞剧创作作品,就是我们舞蹈家共同贡献给这个伟大时代的巨大艺术成果和精神财富。
[Abstract]:The large-scale musical dance epic "the Road to Renaissance", which was officially performed before the 60th Anniversary of the founding of New China, is considered to be the third "Historical Poetry" after "Dongfanghong" and "Song of the Chinese Revolution". In fact, on the eve of the founding of New China, the great song and dance "Viva Victory of the people", its "historical poetic" quality can be regarded as the "Dongfanghong" pioneer. The 60 years of the brilliant development of dance art in New China are the 60 years that our dancers strive for the construction of people's literature and art in New China. In fact From Mao Zedong, "Literature and Art serves the masses of the people" to Deng Xiaoping, "the people are the Mother of Literary and Art Workers", and from Jiang Zemin, "creating art in the people's history" to "Hu Jintao", the writers and artists should accumulate. Reflecting the aspirations of the people, "from the" two as "direction that we have long insisted on to the" three close "principle that we have recently advocated," It is clear that the concept of "people's Literature" is the source of life and spiritual light of our excellent dance works. Objectively speaking, the development of Chinese dance art in 60 years is not smooth sailing. But looking back at this experience, it is clear that the dust settled and still shining dance works must come from the gift of the fertile earth of life, and the dancing people who have passed the years and the youth forever must come from the belief of taking root in life. Some people say that dance drama is the highest embodiment of dance art. In fact, in addition to the Soviet period in a very long period of time more attention to the art of dance, at present no country in the world has China in the new era of the birth of so many and colorful dance works. For the time being, whatever the difference between the creation of our dance dramas, all of them are the great artistic achievements and spiritual wealth that our dancers have jointly contributed to this great era.
【作者单位】：文化部文化科技司;
【基金】：国家“211工程”三期“艺术学理论创新与应用研”项目阶段性成果之一
【分类号】：J709.2

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