浦江板凳龙形态研究

发布时间：2018-07-03 09:51

本文选题：龙舞 + 浦江板凳龙　；参考：《中国艺术研究院》2008年硕士论文

【摘要】： 本文以中国龙舞为背景,将浙江省浦江县的民间龙舞艺术——板凳龙作为具体研究对象,运用文化人类学、舞蹈生态学等方法,对浦江板凳龙进行了系统考察与研究。旨在(一)考察研究浦江板凳龙的历史发展脉络,对其现状进行分析调查,以达到保护和发扬该民间文化之目的;(二)通过浦江板凳龙研究,归纳总结其艺术风格特征,充实民间舞蹈理论研究;(三)探讨浦江板凳龙的文化意义和社会功能,挖掘该民间舞蹈的存在价值,并使其不断发展。本论文由引言和四个章节构成。引言交代了本文的研究缘起、目的意义、浦江板凳龙的研究现状以及研究方法和拟解决问题。第一章概述了中国龙文化以及龙舞艺术的历史发展与总体特征,作为本文写作的背景;并将文献研究和民间考察相结合,梳理浦江板凳龙的历史发展脉络:第二章通过对浦江板凳龙的实地考察,从地理环境和宗族民间礼俗两方面介绍了浦江板凳龙的依存背景,并描述浦江板凳龙的表演盛况及目前的传承情况;第三章对浦江板凳龙进行了舞蹈形态风格分析,从舞蹈本体层面把握浦江板凳龙的整体特征;第四章结合中华龙舞精神,探讨浦江板凳龙的文化内涵及功能。
[Abstract]:This paper takes the Chinese dragon dance as the background, takes the folk dragon dance art of Pujiang County, Zhejiang Province, as the concrete research object, uses the cultural anthropology, dance ecology method and so on, has carried on the systematic investigation and the research to the Pujiang bench dragon. The purpose of this paper is to (1) investigate and study the historical development of Pu Jiang Banxianglong, and analyze and investigate its present situation in order to protect and carry forward the folk culture; (2) through the study of Pujiang Banxianglong, summarize its artistic style. Enrich the study of folk dance theory; (3) probe into the cultural significance and social function of Pujiang bench dragon, excavate the existence value of this folk dance, and make it develop continuously. This paper consists of an introduction and four chapters. The preface explains the origin and significance of the research, the present research situation, the research methods and the problems to be solved. The first chapter summarizes the historical development and general characteristics of Chinese dragon culture and the art of dragon dance as the background of this paper, and combines literature research with folk investigation. Combing the historical development of Pujiang Banxianglong: the second chapter introduces the background of Pujiang Banxianglong's dependence from two aspects of geographical environment and clan and folk customs through the field investigation of Pujiang Banxianglong. The third chapter analyzes the dance form style of Pujiang bench dragon, and grasps the overall characteristics of Pujiang bench dragon from the aspect of dance ontology; the fourth chapter combines the spirit of Chinese dragon dance, and describes the performance of Pujiang bench dragon and its present inheritance; the third chapter analyzes the dance form style of Pujiang bench dragon, and grasps the overall characteristics of Pujiang bench dragon from the aspect of dance ontology. This paper probes into the cultural connotation and function of Pujiang Banxianglong.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J722.214

【引证文献】