我与“释比”的对话——《春祷》创作表演有感

发布时间：2018-07-04 21:33

  本文选题：释比 + 角色塑造　； 参考：《舞蹈》2015年07期

【摘要】：正2015年,我有幸参与了北京舞蹈学院民间舞系田露教授《缘从民间来》作品《春祷》的创作和表演。作为一名舞者,虽然参与过很多作品的编创和表演,但每一个角色对于我来讲都是挑战。而这次作品中对于"释比"的诠释,让我再次重温了角色与自己从相斥到交融的感觉。从寻他,到悟他,到演他,到最后的"形无心有他",不断地思考我如何成为他,他如何成就我。作为演员,我一直奉行将有形化为无形,将表演化为无表演。我认为这样的角色塑造才是真实的,才能沁入人心,最终与观众产生共鸣。这种表演的力量是强有力的,是极具穿透力的。
[Abstract]:In 2015, I had the honour to participate in the creation and performance of Professor Tian Lu, Department of Folk Dance, Beijing Dance Academy. As a dancer, although I have been involved in the creation and performance of many works, each role is a challenge for me. And the interpretation of Shi bi in this work makes me relive the feeling of the character and myself from being repulsive to mingling with each other. From looking for him to realizing him to acting him, to the final "no intention to have him", constantly thinking about how I became him, how he made me. As an actor, I have always been committed to the visible into the invisible, performance into no performance. I think this kind of role-building is real, can reach the heart, and finally resonate with the audience. The power of this performance is powerful and penetrating.
【分类号】：J722.21
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本文编号：2097520