20世纪早期现代芭蕾戏剧美学初探——以佳吉列夫俄罗斯芭蕾舞团为例

发布时间：2018-08-04 19:11

【摘要】：20世纪初,俄国芭蕾正值浪漫主义时期,在内容和形式上越来越陷入僵化和死板。虽然地位上领先于世界,处于核心地位,但面临内容肤浅、新式空洞的危机,俄罗斯芭蕾迫切需要变革。1909年,由佳吉列夫发起"俄罗斯舞蹈演出季",主张保留传统民族特色,在形式上求新求变,创作了大量实验性舞蹈作品,轰动西欧。1919年成立佳吉列夫俄罗斯芭蕾舞团,舞团优秀的舞蹈家、音乐家、美术家的通力合缔造了俄罗斯芭蕾的黄金时代。本文以佳吉列夫俄罗斯芭蕾舞团的舞作创作为研究对象,以舞团经典代表作《火鸟》、《彼德鲁什卡》等剧目为例,分别对时代背景、艺术形式、创作启示和时代影响三个部分展开具体分析,从这一历史现象探讨20世纪早期俄罗斯芭蕾戏剧美学的革命。
[Abstract]:At the beginning of the 20 th century, Russian ballet was in the period of romanticism and became more and more rigid and rigid in content and form. Despite being ahead of the world and at the heart of the world, the Russian ballet is in urgent need of change in the face of superficial content and a new crisis of emptiness. In 1909, Youjia Gilev launched the "Russian Dance performance season," advocating the preservation of traditional national characteristics. He created a large number of experimental dance works, which made a sensation in Western Europe. In 1919, the Russian Ballet Company of Gagliev was founded, and the excellent dancers, musicians, and artists worked together to create the golden age of Russian ballet. This article takes the dance creation of the Russian Ballet of Ghajilev as the research object, taking the classical masterpieces of the troupe "Firebird" and "Peter Rushka" as examples, respectively, to the background of the times, the art form, etc. This paper discusses the revolution of Russian ballet drama aesthetics in the early 20th century.
【作者单位】：北京舞蹈学院艺术设计系;
【分类号】：J732.5

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