中国舞蹈作品中林黛玉形象的身体语言研究

发布时间：2018-08-08 17:44

【摘要】：本文以“林黛玉”这一角色的舞蹈形象作为主要研究对象,以于颖版《红楼梦》、张建民版《红楼·葬花魂》、肖苏华版《阳光下的石头——梦红楼》等8部作品为研究个案,时间跨度约30年,舞蹈形式涵盖古典舞剧、(独幕)芭蕾舞剧、民族舞剧和现代芭蕾舞剧等不同的体裁,从舞蹈形象的语源、舞蹈文本与体裁、舞蹈叙述手法、舞蹈身体语言及其规律性揭示五个方面,对林黛玉舞蹈形象的身体语言进行整体研究。第一章,通过简要分析文学作品、影视作品和戏剧作品中的林黛玉形象特点,梳理了林黛玉舞蹈身体语言的来源。第二章,将与林黛玉相关的舞蹈作品及舞段作为研究对象,所呈现的舞蹈体裁有舞蹈小品、舞蹈诗和舞剧;舞蹈内容的呈现有围绕原著中的两大主题、选取特定场景(如“黛玉葬花”、“黛玉焚稿”等)以及脱离原著的引申和改编内容。第三章,采用叙事分析方法,通过观摩和梳理发现,围绕林黛玉形象的塑造,出现了遵循原著的贯穿式叙述、主体心理式叙述、线索潜行式叙述、主题变奏式叙述和“陌生化”的间离式叙述五种叙述手法。第四章,分别从身体语境的营造和舞蹈身体语言两个视角分析林黛玉的舞蹈身体语言。首先,经典文本和编导的个性选择为林黛玉舞蹈形象塑造营造了传统和现代两个截然不同的身体语境。其次,多元化的身体语源、典型身体语言的提取与语义指向、情感化身体语言与语义的模糊构成了该形象的身体语言。该章的身体语言分析涉及古典、芭蕾、现代、现代芭蕾等舞种、生活语言和舞蹈语言的转化、动作的指示与象征、意义的直指与涵指四个方面,探讨林黛玉的典型体语、语源和语义指向,最后通过言语链和联想平面的身体动势阐释身体语言的模糊性。第五章,林黛玉舞蹈身体语言构成的规律性梳理。从文本的约束与解构、舞蹈符号生成的机制以及舞蹈符号个性与共性的结合与分离三个角度,从微观到宏观、从具体到抽象、从一般到规律,对深入分析林黛玉形象的舞蹈符号构成,概括和总结舞蹈身体语言形成的过程、发展与限制。
[Abstract]:This article takes the dance image of Lin Daiyu as the main research object, taking Yu Ying version of A Dream of Red Mansions, Zhang Jianmin version of Red Chamber Funeral Flower Soul, Xiao Suhua version of Stone in the Sun-Dream Red Building as a case study, etc. A period of about 30 years, dance forms cover classical dance, (one-act) ballet, folk dance and modern ballet and other different genres, from the etymology of dance images, dance texts and genres, dance narrative techniques, The body language of dance body language and its regularity reveal five aspects, the whole body language of Lin Daiyu's dance image is studied. The first chapter briefly analyzes the characteristics of Lin Daiyu's image in literary works, film and television works and drama works, and combs the source of Lin Daiyu's dance body language. In the second chapter, the dance works and dance sections related to Lin Daiyu are taken as the research objects. The dance genres presented include dance sketches, dance poems and dance plays. The dance content is presented around two major themes in the original works. Select specific scenes (such as "Daiyu Funeral Flower", "Daiyu Burn manuscript", etc.) as well as the extension and adaptation of the original works. The third chapter, by using narrative analysis method, through observation and combing found that around the shaping of Lin Daiyu's image, there appeared following the original through narration, the main body psychological narrative, the clue stealth narration. There are five narrative techniques of theme variation and unfamiliarization. Chapter four analyzes Lin Daiyu's dance body language from the two perspectives of body context construction and dance body language. Firstly, the classic text and the choreographer's personality choice create two distinct body contexts for Lin Daiyu's dance image. Secondly, the body language of this image is made up of a variety of body language sources, the extraction and semantic direction of typical body language, and the ambiguity of emotional body language and semantic. The body language analysis of this chapter involves four aspects: classical dance, ballet, modern ballet, transformation of life language and dance language, indication and symbol of action, direct reference to meaning and connotation, and discusses the typical body language of Lin Daiyu. Finally, the fuzziness of body language is explained by the body motion of speech chain and associative plane. The fifth chapter, Lin Daiyu dance body language composition regularity combing. From the three angles of the restriction and deconstruction of the text, the mechanism of the generation of dance symbols, the combination and separation of the individuality and commonness of dance symbols, from micro to macro, from concrete to abstract, from general to regular, This paper analyzes the composition of dance symbols of Lin Daiyu's image, summarizes and summarizes the process, development and limitation of the formation of dance body language.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J705

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