芭蕾舞教学中学生与演员之间意识的差异

发布时间：2018-08-18 17:16

【摘要】：正从学生时代的训练,到专业演员舞台上的实践,再到教师岗位的传承,笔者发现,芭蕾除了需要良好的外在身体条件外,还需要具备对音乐的把握能力,对舞蹈的表现能力,对所塑造人物的创造力和想象力,以及对动作的控制能力。而这些需要具备的能力都是由意识来支配的。所谓意识,就是指人所特有的高级心理活动,它一经产生便有相对的独立性,并能能动地反映客观事实,是人脑对客观物质世界的反映,是感觉思维等各种心理过程的总和。从哲学的
[Abstract]:From the training as a student, to the practice on the stage of a professional actor, to the inheritance of a teacher's post, the author finds that in addition to having good external physical conditions, ballet also needs to have the ability to grasp music and to express itself in dance. The creativity and imagination of the characters created, and the ability to control the movements. And all these abilities are dictated by consciousness. The so-called consciousness refers to the special high-level psychological activity of human being. Once it comes into being, it has relative independence and can actively reflect the objective facts. It is the reflection of human brain to the objective material world and the summation of various psychological processes such as feeling thinking and so on. From a philosophical perspective
【分类号】：J722.5-4
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本文编号：2190143