当前位置:主页 > 文艺论文 > 舞蹈论文 >

吹尽狂沙始到金——蒙古族之萨满舞蹈

发布时间:2018-08-18 20:53
【摘要】:正萨满"博"舞作为阐释教义和沟通人与神的艺术化呈现,是蒙古族一种古老而独特的文化现象。原始萨满借助舞蹈"上祈人愿、下传神谕",并在这一过程中形成了自己古朴、粗犷、凝重的舞蹈特色。16世纪中叶,随着萨满教退出历史舞台,大部分歌舞形式也随之散失。但是,作为人类精神中有价值的文化成果,它仍然保留在蒙古族的精神生活中。当下,随着"博"文化被列入国家非物质文化遗产,萨满舞蹈也以其原生性的
[Abstract]:As an ancient and unique cultural phenomenon, Zhengshaman's "Bo" dance, as an interpretation of the doctrine and the communication between man and God, is an ancient and unique cultural phenomenon of the Mongols. The primitive shaman made use of the dance "pray for the wish of the above, pass the oracle down", and in this process formed his own simple, rugged, dignified dance characteristic. In the middle of the 16th century, with the Shamanism withdrawing from the historical stage, most of the forms of singing and dancing were also lost. However, as a valuable cultural achievement in the human spirit, it still remains in the spiritual life of the Mongols. Nowadays, with the "Bo" culture being listed as the national intangible cultural heritage, shaman dance is also original.
【分类号】:J722.22

【相似文献】

相关期刊论文 前4条

1 齐加草;;丰富多彩的藏族民间舞蹈[J];神州;2014年06期

2 丛盛;;海阳大秧歌[J];走向世界;2008年01期

3 张鹰;西藏的抗灾歌舞“吉达吉姆”[J];西藏民俗;2002年04期

4 ;[J];;年期



本文编号:2190644

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wdlw/2190644.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户54c2a***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com