50年来的维吾尔歌舞艺术研究综述
发布时间：2018-08-20 16:20
【摘要】： 丰富多彩的维吾尔歌舞艺术研究规模日益壮大,为了促进研究工作向更深更广的角度发展,笔者按照“十五”国家重点艺术科研课题《维吾尔歌舞艺术研究》课题组的安排,从不同角度对近五十年关于维吾尔歌舞艺术研究的论文和论著作了一次系统的搜集整理。在整理分析过程中,笔者按照维吾尔歌舞艺术的历史衍变过程和存在空间将维吾尔歌舞艺术分为以下六部分: 绪论部分,笔者主要提出了本文的研究缘起、研究方法及资料来源,并对维吾尔歌舞艺术进行了界定。 第二、三、四部分,分别从本体和文化环境两个切入点,对有关维吾尔族民间歌舞、以十二木卡姆为代表的维吾尔族古典歌舞、维吾尔族宗教礼仪歌舞的研究成果进行了整理和分析。 第五部分,总体整理归纳了维吾尔族民间歌舞、以十二木卡姆为代表的维吾尔族古典歌舞、维吾尔族宗教礼仪歌舞形成与发展历史的研究状况。 第六部分,是对所整理归纳的论文论著,从笔者的观察层面上提出的个人分析,并对维吾尔歌舞艺术的研究趋势作出了分析。
[Abstract]:In order to promote the development of the research work from a deeper and wider perspective, the author follows the arrangement of the National key Art Research Project of the Tenth Five-Year Plan, "Uygur singing and Dance Art Research", in order to promote the development of the research work of Uygur singing and Dance Art. This paper makes a systematic collection of papers and works about Uygur singing and dancing art in recent 50 years from different angles. In the process of collation and analysis, the author divides the art of Uyghur song and dance into the following six parts according to the historical evolution and existing space of Uygur singing and dancing art: introduction, The author mainly puts forward the origin, research method and data source of this paper, and defines the art of Uygur singing and dancing. The second, third and fourth parts, from the two entry points of Noumenon and Cultural Environment, respectively, on the Uygur folk songs and dances, represented by the twelve Mukam, are Uygur classical songs and dances. The research results of Uygur religious ritual singing and dancing are sorted out and analyzed. The fifth part, summarized the Uygur folk songs and dances, the Uygur classical songs and dances represented by the twelve Mukam, the formation and development of Uygur religious rituals and dance history. In the sixth part, the author puts forward the personal analysis from the author's observation level, and analyzes the research trend of Uygur singing and dancing art.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J722.7
本文编号：2194244
[Abstract]:In order to promote the development of the research work from a deeper and wider perspective, the author follows the arrangement of the National key Art Research Project of the Tenth Five-Year Plan, "Uygur singing and Dance Art Research", in order to promote the development of the research work of Uygur singing and Dance Art. This paper makes a systematic collection of papers and works about Uygur singing and dancing art in recent 50 years from different angles. In the process of collation and analysis, the author divides the art of Uyghur song and dance into the following six parts according to the historical evolution and existing space of Uygur singing and dancing art: introduction, The author mainly puts forward the origin, research method and data source of this paper, and defines the art of Uygur singing and dancing. The second, third and fourth parts, from the two entry points of Noumenon and Cultural Environment, respectively, on the Uygur folk songs and dances, represented by the twelve Mukam, are Uygur classical songs and dances. The research results of Uygur religious ritual singing and dancing are sorted out and analyzed. The fifth part, summarized the Uygur folk songs and dances, the Uygur classical songs and dances represented by the twelve Mukam, the formation and development of Uygur religious rituals and dance history. In the sixth part, the author puts forward the personal analysis from the author's observation level, and analyzes the research trend of Uygur singing and dancing art.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J722.7
【引证文献】
相关硕士学位论文 前3条
1 穆特拜尔;哈密地区伊吾县淖毛湖镇木卡姆班社研究[D];新疆师范大学;2010年
2 王鸿;新疆维吾尔木卡姆传承中心运行现状及发展研究[D];新疆师范大学;2011年
3 董冰;哈密木卡姆班社调查研究[D];新疆师范大学;2012年
，本文编号：2194244
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