探寻舞蹈的本源

发布时间：2018-09-01 16:16

【摘要】：舞蹈是世界上最早的艺术形式,这种最古老最久远的艺术究竟是因何而来,又要到哪里去,这既是一个哲学问题更是缠绕在每位舞者心中最强烈的疑惑。所谓本源,便应存在与舞蹈的血液之中,互相影响、作用,在当今每一个优秀的舞蹈作品中,都能清晰的看到历史文化在舞蹈中的重要性,但如果没有精神源头作为舞蹈的内部驱动力,那么舞蹈便是毫无意义的肢体动律,无法给观众带来共鸣与欣赏后的思考和内心体会。寻找本源的路途,其实就是在寻找生命的本体,任一种艺术形式都是来源于人对于生命的感悟。一部离开生命、离开灵魂的舞蹈作品,就像摇摇欲坠的高楼,没有根基,随时面临着土崩瓦解;一个对生命灵魂没有祈盼的舞者,即使拥有最好的技巧与条件,也无法给观众带来内心最深处的触动;一个对舞蹈仅忠诚于技法与套路的编导,即使拥有世界上最优秀的演员团队,也无法编创出一部旷世美作。面对当前的舞蹈表演及舞蹈教育中“生命”的缺席与遮蔽现状,基于这种舞蹈艺术与生命血脉相连的艺术观,我们当代的从舞人员应该不断地探寻不断地自省不断地改变。
[Abstract]:Dance is the earliest art form in the world. Where and where is the oldest and most ancient art in the world? it is a philosophical problem and the most intense doubt in every dancer's heart. The so-called "origin" should exist and dance in the blood, mutual influence, role, in today's excellent dance works, can clearly see the importance of history and culture in the dance, However, if there is no spiritual source as the internal driving force of dance, then dance is meaningless body movement, which can not bring resonance and appreciation to the audience after thinking and inner experience. In fact, the way to find the source of life is to find the ontology of life, any form of art is derived from the perception of life. A dance that leaves life and soul is like a ramshackle building, without a foundation, and facing disintegration at any time; a dancer who has no desire for the soul of life, even with the best skills and conditions, Nor can it bring the audience the deepest touch of the heart; a choreographer who is only loyal to the techniques and routines of dance, even with the best cast in the world, will not be able to produce a masterpiece. In the face of the present situation of absence and obscurity of "life" in dance performance and dance education, based on this kind of art view that dance art is related to life, our contemporary dancers should constantly seek for self-reflection and change constantly.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J705

【参考文献】