街舞—大众文化无声的言说
发布时间：2018-09-03 12:44
【摘要】：大众文化自20世纪后期以来,已经在当代发展成为影响大众日常生活不可或缺的一种文化现象。而街舞,秉承着大众文化的韵味,逐渐发展成为大众文化全球传播范式的典范。它的出现绝不是一种偶然,而是在时代的发展与扩张中,伴随着青年反抗资本主义体制与表达个性自由的呼唤声中成长起来的。在大众传媒的迅猛发展推动下,街舞不仅以其富有张力和魅力的艺术呈现方式感染了大众,而且以其独特而深刻的内涵成为一种深受大众喜爱的流行与时尚,在短短的几十年内就在全球确定了其文化聚合力。街舞文化在中国,以青年大众群体为载体,经历了由体育运动形式到舞蹈呈现方式的转变。随着主流意识形态态度的默许和转变,街舞文化在中国也最终发展为一种大众文化的流行与时尚。在街舞文化的辩证历史演变过程中,不可避免地参与资本的运作,在商业化和技术的渗透下也显现出拜物教的特征从而带来一系列新的异化的可能。作为一种大众文化,街舞将如何面对纷扰的消费社会而保持自身相对的独立性成为包括街舞在内众多大众文化形式所必须面临的一个问题。本文旨在通过研究街舞在全球成为一种流行的大众文化范式的历史与现状以及在中国独特历史实践语境下成为一种时尚的过程,来分析街舞文化在当代秉承大众解放意义的同时所面临的新异化的可能,以此来探讨大众文化在当代面临的困境和走向。 导论部分主要是介绍街舞文化作为大众文化在当代全球传播范式中的独特性,目前国内外对涉及街舞与大众文化研究的概况及本文的叙述框架和研究方法及自我评价。
[Abstract]:Since the late 20th century, popular culture has become an indispensable cultural phenomenon affecting the daily life of the masses. Hip-hop, adhering to the charm of popular culture, gradually developed into a model of global dissemination of mass culture. Its emergence is not an accident, but grew up in the development and expansion of the times, accompanied by the call of youth to resist the capitalist system and express their individual freedom. Driven by the rapid development of mass media, hip hop dance not only infects the public with its artistic presentation style full of tension and charm, but also becomes a popular fashion with its unique and profound connotation. In just a few decades its cultural cohesion has been established globally. Hip-hop dance culture in China, with young people as the carrier, has experienced a change from sports form to dance presentation. With the acquiescence and change of the mainstream ideology, the hip-hop culture has finally developed into a popular culture in China. In the process of dialectical historical evolution of hip-hop culture, it is inevitable to participate in the operation of capital. Under the permeation of commercialization and technology, it also shows the characteristics of fetishism, thus bringing about a series of new possibilities of alienation. As a kind of popular culture, how to face the turbulent consumer society and maintain its relative independence has become a problem that many popular culture forms, including hip-hop dance, must face. The purpose of this paper is to study the history and current situation of hip hop dance (Hip-hop) becoming a popular cultural paradigm in the world and the process of becoming a fashion in the context of China's unique historical practice. This paper analyzes the possibility of the new alienation that the hip-hop dance culture faces while adhering to the significance of mass liberation, so as to explore the plight and trend of the popular culture in the contemporary era. The introduction part mainly introduces the unique characteristics of the street dance culture as the mass culture in the contemporary global communication paradigm. At present, the general situation of the research on the street dance and popular culture at home and abroad, the narrative framework, the research methods and the self-evaluation of this article.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J722.9
本文编号：2220016
[Abstract]:Since the late 20th century, popular culture has become an indispensable cultural phenomenon affecting the daily life of the masses. Hip-hop, adhering to the charm of popular culture, gradually developed into a model of global dissemination of mass culture. Its emergence is not an accident, but grew up in the development and expansion of the times, accompanied by the call of youth to resist the capitalist system and express their individual freedom. Driven by the rapid development of mass media, hip hop dance not only infects the public with its artistic presentation style full of tension and charm, but also becomes a popular fashion with its unique and profound connotation. In just a few decades its cultural cohesion has been established globally. Hip-hop dance culture in China, with young people as the carrier, has experienced a change from sports form to dance presentation. With the acquiescence and change of the mainstream ideology, the hip-hop culture has finally developed into a popular culture in China. In the process of dialectical historical evolution of hip-hop culture, it is inevitable to participate in the operation of capital. Under the permeation of commercialization and technology, it also shows the characteristics of fetishism, thus bringing about a series of new possibilities of alienation. As a kind of popular culture, how to face the turbulent consumer society and maintain its relative independence has become a problem that many popular culture forms, including hip-hop dance, must face. The purpose of this paper is to study the history and current situation of hip hop dance (Hip-hop) becoming a popular cultural paradigm in the world and the process of becoming a fashion in the context of China's unique historical practice. This paper analyzes the possibility of the new alienation that the hip-hop dance culture faces while adhering to the significance of mass liberation, so as to explore the plight and trend of the popular culture in the contemporary era. The introduction part mainly introduces the unique characteristics of the street dance culture as the mass culture in the contemporary global communication paradigm. At present, the general situation of the research on the street dance and popular culture at home and abroad, the narrative framework, the research methods and the self-evaluation of this article.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J722.9
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