门文元舞剧创作叙事特点研究
发布时间：2018-09-05 06:47
【摘要】：近二十年来,门文元的舞剧创作取得了突出成就,因此成为当今我国舞剧研究的重要课题。本文主要以《阿炳》(1999)、《红河谷》(2004)、《西施》(2007)、《金陵十三钗》(2013)等几部舞剧为例,从叙事视角、叙事话语两个方面对叙事艺术特色进行分析,总结出其舞剧创作的一些叙事艺术特点:一、多重叙事视角与人文关怀的充分体现。其中包括两方面:1.全知视角的展现与人文关怀的流露;2.内聚焦视角的巧妙运用与人文关怀的渗透。二、富有鲜明指征性和隐喻性的叙事话语。如在身体叙事话语上表现为:1.善于挖掘不同人物角色的形态特点与符号特征来塑造人物形象;2.善于利用不同人物点之间的构图与调度来结构人物关系,揭示矛盾冲突等等。在舞美叙事话语上表现为:1.善于使用具有隐喻功能和象征性的道具来结构多重语意;2.善于使用极富象征性的舞美灯光布景设置来呈现环境、营造意境,从而叙事寓意。在音乐叙事话语上表现为:1.善于用具有极强指征性的声效来暗示剧情,显现人物心理,营造时空场景;2.善于将充满人文关怀的乐曲运用在舞剧叙事中。
[Abstract]:In the past twenty years, Menwen Yuan's dance drama creation has made outstanding achievements, so it has become an important subject in the study of dance drama in our country. This article mainly takes several dance plays such as "Ah Bing" (1999), "Red Valley" (2004), "Xishi > (2007)," Jinling Thirteen hairpin "(2013) as examples, analyzes the characteristics of narrative art from two aspects of narrative perspective and narrative discourse, and sums up some narrative artistic characteristics of his dance drama creation: 1. Multi-narrative perspective and the full embodiment of humanistic concern. This includes two aspects: one. The display of omniscient angle of view and the expression of humanistic concern. The skillful application of internal focus angle of view and the penetration of humanistic concern. Second, the narrative discourse is full of clear indications and metaphors. For example, in the body narrative discourse for the performance of 1: 1. Be good at excavating the morphological and symbolic characteristics of different characters to shape the characters. Good at using the composition and scheduling between different points to structure the relationship between people, reveal conflicts and so on. In the dance beauty narrative discourse performance is: 1. Good at using metaphorical and symbolic props to structure multiple meanings. Good at using symbolic lighting settings to present the environment, create artistic conception, thus narrative moral. In the musical narrative discourse performance is 1: 1. Good at using highly indicative sound effects to imply the plot, show character psychology, create a space-time scene. Be good at using the music full of humanistic concern in the narrative of dance plays.
【作者单位】： 中南大学建筑与艺术学院;
【基金】：湖南省教育科学“十二五”规划课题《湖南红色文化融入本省艺术传媒类高校教育的路径研究》(课题编号:XJK015BGD092)的课题成果
【分类号】：J723
本文编号：2223509
[Abstract]:In the past twenty years, Menwen Yuan's dance drama creation has made outstanding achievements, so it has become an important subject in the study of dance drama in our country. This article mainly takes several dance plays such as "Ah Bing" (1999), "Red Valley" (2004), "Xishi > (2007)," Jinling Thirteen hairpin "(2013) as examples, analyzes the characteristics of narrative art from two aspects of narrative perspective and narrative discourse, and sums up some narrative artistic characteristics of his dance drama creation: 1. Multi-narrative perspective and the full embodiment of humanistic concern. This includes two aspects: one. The display of omniscient angle of view and the expression of humanistic concern. The skillful application of internal focus angle of view and the penetration of humanistic concern. Second, the narrative discourse is full of clear indications and metaphors. For example, in the body narrative discourse for the performance of 1: 1. Be good at excavating the morphological and symbolic characteristics of different characters to shape the characters. Good at using the composition and scheduling between different points to structure the relationship between people, reveal conflicts and so on. In the dance beauty narrative discourse performance is: 1. Good at using metaphorical and symbolic props to structure multiple meanings. Good at using symbolic lighting settings to present the environment, create artistic conception, thus narrative moral. In the musical narrative discourse performance is 1: 1. Good at using highly indicative sound effects to imply the plot, show character psychology, create a space-time scene. Be good at using the music full of humanistic concern in the narrative of dance plays.
【作者单位】： 中南大学建筑与艺术学院;
【基金】：湖南省教育科学“十二五”规划课题《湖南红色文化融入本省艺术传媒类高校教育的路径研究》(课题编号:XJK015BGD092)的课题成果
【分类号】：J723
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