欧美实验性舞蹈影像的历史源流与概念辨析
发布时间：2018-10-05 21:19
【摘要】：本文以欧美实验性舞蹈影像的历史发展脉络为轴,追溯早期舞蹈电影(Cine-dance)、录像舞蹈(Video Dance)、为镜头而舞(Dance for Camera)、数字舞蹈(Digital Dance)等不同阶段的舞蹈影像形态与历史源流,并对舞蹈影像与实验性舞蹈影像进行了概念辨析与阐释,指出在研究欧美舞蹈影像界定时应注意从两个维度进行把握:一是根据纵向上舞蹈影像缘起的时间维度,结合舞蹈影像在特定历史时期的文化背景、艺术思潮、观念发展来考察其当时的术语命名;二是在技术革新视阈下依托舞蹈影像的媒体传播方式、媒介形态变迁来认知其术语称谓。舞蹈影像的英文术语使用与概念修订标明了其在不同时期媒介、载体的区别与实践侧重。欧美舞蹈影像的概念是一个随着技术变革与媒介形态演进下与时俱进的开放体系。文章最后考察了欧美舞蹈影像发展的前沿动态,梳理欧美实验性舞蹈影像的研究情况与相关问题。
[Abstract]:Based on the historical development of experimental dance images in Europe and the United States, this paper traces the forms and historical origins of the early dance films (Cine-dance) and the video dance (Video Dance), in different stages, such as (Dance for Camera), digital dance (Digital Dance), and so on. This paper also analyzes and interprets the concept of dance image and experimental dance image, and points out that in studying the definition of dance image in Europe and the United States, attention should be paid to two dimensions: one is based on the time dimension of the origin of the dance image. Combining the cultural background, artistic trend of thought and concept development of dance image in a specific historical period to investigate the nomenclature of dance image at that time; second, the media communication way of relying on dance image under the visual threshold of technological innovation, Media form changes to recognize its terminology. The use of English terminology and conceptual revision of dance images indicate the difference and practice of media, carriers and practice in different periods. The concept of dance image in Europe and America is an open system with the development of technology and media form. Finally, the paper reviews the development of European and American dance images, combing the research situation and related issues of experimental dance images in Europe and the United States.
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本文编号：2254895
[Abstract]:Based on the historical development of experimental dance images in Europe and the United States, this paper traces the forms and historical origins of the early dance films (Cine-dance) and the video dance (Video Dance), in different stages, such as (Dance for Camera), digital dance (Digital Dance), and so on. This paper also analyzes and interprets the concept of dance image and experimental dance image, and points out that in studying the definition of dance image in Europe and the United States, attention should be paid to two dimensions: one is based on the time dimension of the origin of the dance image. Combining the cultural background, artistic trend of thought and concept development of dance image in a specific historical period to investigate the nomenclature of dance image at that time; second, the media communication way of relying on dance image under the visual threshold of technological innovation, Media form changes to recognize its terminology. The use of English terminology and conceptual revision of dance images indicate the difference and practice of media, carriers and practice in different periods. The concept of dance image in Europe and America is an open system with the development of technology and media form. Finally, the paper reviews the development of European and American dance images, combing the research situation and related issues of experimental dance images in Europe and the United States.
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本文编号：2254895
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