未来学视野中的中国古典舞前景
发布时间：2018-10-30 10:58
【摘要】：正明天是今天的昨天当我们翻阅芭蕾史或印度古典舞史时,无论是《天鹅湖》还是《毗湿奴赞》,它们都还活生生地跳在今天——并且还会跳向明天。我们甚至还会在这些鲜活的剧目中看到瓦岗诺娃舞蹈学院和马林斯基剧院,看到毗湿奴神庙和婆罗多流派……但在阅读中国舞蹈史时,我们面前就只是一片铅字,感受不到赵飞燕掌上舞的凌空飞动或裕容龄《菩萨舞》的沉静端庄,也想象不出汉代乐府的训练形态和元代蒙古族《十六天魔舞》的风格……于是,我们只能在《中国古典舞创
[Abstract]:Tomorrow is today yesterday, when we look at the history of ballet or the history of the classical dance of India, whether it's Swan Lake or Vishnuzan, they all dance alive today-and they dance to tomorrow. We will even see the Wagonnova Dance Academy and the Malinsky Theater in these live plays, the Vishnu Temple and the Borodore School. But when we read the history of Chinese dance, we only have a piece of type in front of us. We can't feel the calm and dignified movement of Zhao Feiyan's palm dance or the quiet and dignified nature of the "Bodhisattva Dance". I can't imagine the training form of Yuefu in Han Dynasty and the style of Mongolian dance of sixteen days in Yuan Dynasty. Therefore, we can only create in "Chinese classical dance"
【分类号】：J722.4
[Abstract]:Tomorrow is today yesterday, when we look at the history of ballet or the history of the classical dance of India, whether it's Swan Lake or Vishnuzan, they all dance alive today-and they dance to tomorrow. We will even see the Wagonnova Dance Academy and the Malinsky Theater in these live plays, the Vishnu Temple and the Borodore School. But when we read the history of Chinese dance, we only have a piece of type in front of us. We can't feel the calm and dignified movement of Zhao Feiyan's palm dance or the quiet and dignified nature of the "Bodhisattva Dance". I can't imagine the training form of Yuefu in Han Dynasty and the style of Mongolian dance of sixteen days in Yuan Dynasty. Therefore, we can only create in "Chinese classical dance"
【分类号】：J722.4
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