仪式情景中的象征与转化——以木鼓舞鼓点叙事结构分析为例

发布时间：2018-12-29 08:31

【摘要】：木鼓舞以贵州省黔东南苗族侗族自治州台江县反排村苗族木鼓舞最具有代表性。木鼓舞的基本造型、鼓点节奏,以及内涵的叙事结构等与苗族的历史记忆、文化背景密不可分,在一定程度上是苗族的社会历史、审美意识、人生观、世界观的体现。可看作是当地人们的身体动作与行为方式的具体化实践和群体文化特征的精神投射。木鼓舞于苗族"鼓藏节"仪式中,主要功能是祭祀祖先,并在祭祀仪式中承载着对苗族迁徙历史的记忆表述。然而,随着时代的发展,木鼓舞发生了文化的演变和意义的再生,其仪式情境、动作意义和功能等都发生了变化,从祭祀祖先的历史记忆功能,逐渐发展成为苗族形象的展示和文化的表征。本文关注的是仪式情景中木鼓舞鼓点叙事结构所反映的文化价值及其意义的再生。
[Abstract]:Miao and Dong Autonomous Prefecture, Qiandongnan, Guizhou Province, Miao Drum is the most representative of the Miao nationality in Taijiang County. The basic modeling, drum rhythm and narrative structure of wood inspiration are closely related to the historical memory and cultural background of the Miao nationality. To a certain extent, they are the embodiment of the Miao nationality's social history, aesthetic consciousness, outlook on life and world outlook. It can be regarded as the concrete practice of the local people's body movement and behavior style and the spiritual projection of the cultural characteristics of the group. The main function of wooden inspiration in the ceremony of "drum and Tibetan festival" of Miao nationality is to sacrifice ancestors, and the memory of Miao migration history is carried in the ritual of sacrifice. However, with the development of the times, the evolution of culture and the regeneration of meaning have taken place in wooden inspiration, and its ritual situation, action meaning and function have all changed, from the historical memory function of sacrificing ancestors, Gradually developed into the Miao image display and cultural representation. This paper focuses on the cultural value and the regeneration of its significance reflected by the narrative structure of the wooden drum in the ritual scene.
【作者单位】：中央民族大学音乐学院;
【分类号】：J722.2

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