中国现当代军旅题材舞蹈创作的类型学研究（1919-2016）

发布时间：2019-01-02 12:14

【摘要】：本文通过对“中国现当代舞的界定”、“舞蹈与军旅的结缘关系”诸方面问题的研究和论证,对中国现当代军旅题材舞蹈创作的类型学做深入的理论研究,意在挖掘“军旅题材舞蹈”所含有的深刻理论论点。通过对军旅和舞蹈的“结缘方式”以及舞蹈史论的研究同时结合类型学的研究方法以及根据历史军事的发展脉络对“军旅题材舞蹈”做客观全面的研究分析,如概念界定、分类型和创作所形成的特点及演变的理论性、学术性探析和论述。在对军旅题材舞蹈创作研究的深层次梳理和阐释中,以此解读和揭示军旅题材舞蹈创作的分类型研究及其演变的合理性逻辑和在多方面、多视角、多思维下最为深层的内在之根本(内容)和理论论点,使之在理论层面具有一定的学术性、理论性、逻辑性、知识性和可读性。这是目前对此论点尚未研究全面的立项性研究。在绪论中,笔者对论题提出的问题及概念进行界定,并阐述论题的研究背景现状、研究意义以及对相关文献的整理论述等。正文部分笔者从四章内容分别对中国现当代军旅题材舞蹈的分类型和发展演变进行了多方面、多角度的深入分析和研究。文中对军旅题材舞蹈的类型学研究主要是以“军旅”这一社会载体的特殊性为研究点而进行的展开性研究,是对军旅中所包含的各方面现象以时期为轴心、内容为中心、形式为表现的分类型考究和创作特点的发展性探析。笔者从社会政治层面思考,对军旅现象中所包含的军事事件、军事生活、军事人物等进行深入的挖掘,从而在共时方面,根据作品内容的五大要素把军旅题材舞蹈分为:军事事件的舞蹈、部队生活的舞蹈、军事人物的舞蹈三类,笔者以三章的内容对三类舞蹈通过客观时期的脉络和主观意识的创作进行细微之处的分类取证,对其中所涵盖的论点,如创作缘由、创作思维走向、主题内容的叙述和形式特点的表现进行理论性的表述,使军旅题材舞蹈的分类型研究在理论层面更具学理性和全面性。第四章主要对军旅题材舞蹈的演变展开研究和论述,从历时方面研究军旅题材舞蹈在萌芽、初期、中期、繁荣阶段的创作特征,探究其在最大时间、空间范围、量变质变等问题上的发展,这个探讨也是今后军旅题材舞蹈在理论建构研究方面的一个重要起点。综上所述,本文从类型学、舞蹈学等学科进行全面的研究,进而从一般意义的“军旅”提出“军旅题材舞蹈”的特殊内涵和性质。借此笔者将其中的分类和发展演变问题作为军旅题材舞蹈研究中一个基本要素和范畴,同时作为军旅题材舞蹈中一个“质”的标志加以考究,从而寻求军旅题材舞蹈本身具有的内涵特点和发展空间,可以说,关于军旅题材舞蹈的类型学研究,是最为深层次的对该题材舞蹈创作内在本质意向的一项带有理论阐述的课题研究。
[Abstract]:Through the research and argumentation on the definition of Chinese modern and contemporary dance and the relationship between dance and military, this paper makes an in-depth theoretical study on the typology of Chinese modern and contemporary military dance creation. It is intended to dig out the profound theoretical arguments contained in "military Dancing". Through the study of the "bond way" between military and dance and the study of dance history theory, combined with typology research methods and according to the development of historical military context, this paper makes an objective and comprehensive study and analysis of "military theme dance", such as defining the concept. Classification and creation of the characteristics and evolution of the theoretical, academic analysis and discussion. In the deep level combing and explanation of the research on the dance creation of military theme, this paper interprets and reveals the research on the types of dance creation of military theme and the rational logic of its evolution, as well as the rational logic and multi-angle of view in many aspects and many perspectives. The deepest inner root (content) and theoretical argument of multi-thinking make it have certain academic, theoretical, logical, intellectual and readability in the theoretical level. This is the point of this argument has not yet been a comprehensive project research. In the introduction, the author defines the problems and concepts raised by the topic, and expounds the research background, significance and the arrangement of relevant documents. The main part of the author from the four chapters of the Chinese modern and contemporary military theme dance types and development of a variety of aspects, multi-angle in-depth analysis and research. In this paper, the typology of military dance is mainly based on the particularity of "military" as a social carrier for the research point, is to the military included in the various aspects of the phenomenon in the period as the axis, content as the center. Form for the performance of the types of research and creative characteristics of the developmental analysis. The author considers from the social and political level, carries on the thorough excavation to the military affairs, the military life, the military figure and so on, which includes in the military troop phenomenon, thus in the synchronic aspect, According to the five elements of the content of the work, the military dance is divided into three categories: the dance of the military event, the dance of the army life, the dance of the military character. The author classifies the creation of three kinds of dance through the objective period and subjective consciousness with the content of three chapters, and points out the argument, such as the reason of creation, the direction of creative thinking, The narration of the theme content and the expression of the formal characteristics of the military subject dance are theoretically described, which makes the research on the classification of the military dance more rational and comprehensive on the theoretical level. The fourth chapter mainly studies and discusses the evolution of the military dance, studies the creative characteristics of the military dance from the diachronic point of view, explores the creative characteristics of the military dance in the embryonic, early, middle and prosperous stages, and probes into its scope of maximum time and space. The development of quantitative change and qualitative change is also an important starting point in the theoretical construction of military dance in the future. To sum up, this paper makes a comprehensive study from typology, dance and other disciplines, and then puts forward the special connotation and nature of "military theme dance" from the general meaning of "military". In this way, the author regards the classification and development of dance as a basic element and category in the research of military dance, and at the same time, as a sign of "quality" in the dance of military theme. In order to seek the connotation and development space of the military dance itself, it can be said that the typology study on the military theme dance, It is the most profound research on the intrinsic intention of dance creation.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J704

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