“新舞蹈”与中国舞蹈现实主义新传统的建构
发布时间：2019-01-06 15:36
【摘要】：随着中国社会的现代化进程,清末民国时期的舞蹈在"西化"的浪潮中逐渐构建其现代的面孔:宫廷舞蹈的传统因步入文明在时间上被断裂,民间舞蹈的传统因"半殖民半封建"在空间上被割裂,中国舞蹈在"五四"新文化运动的洗礼中也起了根本的变化,从封建的舞蹈文化里开始挣脱出来,并在20世纪初西方多元舞蹈文化的传播冲击下,在"民族国家""个性主义""革命救亡"的时代话语中,中国现代舞蹈发展出现了与古代舞蹈有着本质性区别的、体现中国早期"现代性"的新的审美和价值判断标准,形成了有别于传统的"新舞蹈"。这种"新舞蹈"在从启蒙到革命的转变中积淀了新中国舞蹈艺术现实主义传统的"基因"。
[Abstract]:With the modernization of Chinese society, the dance of the late Qing Dynasty and the Republic of China gradually constructed its modern face in the tide of "westernization": the tradition of court dance was broken in time because of the civilization. The tradition of folk dance was cut apart in space because of "semi-colonial and semi-feudal," and the Chinese dance also underwent a fundamental change in the baptism of the New Culture Movement of the May 4th Movement, which began to break free from the feudal dance culture. At the beginning of the 20th century, under the impact of the spread of multi-culture in the West, in the discourse of "nation state", "individualism" and "revolution to save the nation", the development of modern Chinese dance is fundamentally different from that of ancient dance. The new aesthetic and value judgment standards embodied in the early Chinese modernity formed a new dance different from the traditional one. This kind of new dance accumulates the "gene" of Chinese dance art realism tradition in the transition from enlightenment to revolution.
【作者单位】： 北京舞蹈学院学报编辑部;
【基金】：国家社科基金艺术学项目“中国当代舞蹈发展的‘现代性’研究——以历史书写与艺术实践为中心”(课题编号2015FE02686)课题成果之一
【分类号】：J705
，
本文编号：2402984
[Abstract]:With the modernization of Chinese society, the dance of the late Qing Dynasty and the Republic of China gradually constructed its modern face in the tide of "westernization": the tradition of court dance was broken in time because of the civilization. The tradition of folk dance was cut apart in space because of "semi-colonial and semi-feudal," and the Chinese dance also underwent a fundamental change in the baptism of the New Culture Movement of the May 4th Movement, which began to break free from the feudal dance culture. At the beginning of the 20th century, under the impact of the spread of multi-culture in the West, in the discourse of "nation state", "individualism" and "revolution to save the nation", the development of modern Chinese dance is fundamentally different from that of ancient dance. The new aesthetic and value judgment standards embodied in the early Chinese modernity formed a new dance different from the traditional one. This kind of new dance accumulates the "gene" of Chinese dance art realism tradition in the transition from enlightenment to revolution.
【作者单位】： 北京舞蹈学院学报编辑部;
【基金】：国家社科基金艺术学项目“中国当代舞蹈发展的‘现代性’研究——以历史书写与艺术实践为中心”(课题编号2015FE02686)课题成果之一
【分类号】：J705
，
本文编号：2402984
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