唐代乐舞在敦煌壁画中的反映

发布时间：2019-04-12 15:00

【摘要】：唐代是我国封建社会的鼎盛时期,也是中国古代舞蹈发展史上集大成的时期,南北、宗教文化的高度融合以及中西乐舞文化交流的空前繁荣,形成了唐代乐舞繁盛多姿的景象。这一时期,以壁画为载体的敦煌舞蹈艺术达到了极盛时期,壁画中的乐舞形式及舞姿造型均达到了历史最高水平,绚丽多姿,精彩纷呈。本文就以唐代为核心,以其时序为历时性的点,以其多元文化组构为共时性的面,对敦煌壁画舞姿在唐代的发展进行全面的论述。分析唐代历史下佛教的世俗化对敦煌壁画乐舞的影响,及深受多元文化影响而呈现出的壁画舞姿风貌(壁画舞姿的延续和转变),来认识敦煌壁画乐舞发展的脉络及形成独特乐舞风格的成因。本文意欲探求唐代乐舞作用于敦煌舞形式、舞姿、风格的成因及其乐舞的发展在敦煌壁画中的体现——以此构成本文的主要内容。本文共分为四个部分。第一部分是导论部分,主要介绍了论文写作的有关内容,包括研究缘起、研究现状及评价、研究方法以及资料来源。第二部分是概述部分,主要从政治、(宗教、外来)文化和中外乐舞交流等多方面入手来探究唐代乐舞繁盛的原因。然后叙述了唐代乐舞繁荣的具体表现,以及它对丰富发展敦煌壁画乐舞所起的作用。第三部分是本文的重点章节,主要反映了唐代乐舞与敦煌壁画乐舞两者之间的相互作用。即唐代乐舞对敦煌壁画乐舞风格形式的影响,和敦煌壁画乐舞所呈现出的唐代乐舞风貌。并逐一分析唐代佛教对壁画乐舞的影响,以及唐代多元文化因素对壁画乐舞诸方面的影响。一方面,使我们认识到唐代时期敦煌壁画乐舞的发展过程。另一面,使我们认识到敦煌舞风格形成的历史原因和客观因素。第四部分是结论,主要探讨了唐代敦煌壁画舞姿与当代敦煌舞的创建。这一节是我们对敦煌舞创建与发展的当代思考。
[Abstract]:Tang Dynasty was the peak period of feudal society in China, and it was also a period of great success in the history of ancient Chinese dance development. The fusion of religious culture between the north and the south and the unprecedented prosperity of the cultural exchange between Chinese and Western music and dance formed a prosperous and varied scene of music and dance in the Tang Dynasty. During this period, Dunhuang dance art with murals as the carrier reached its peak, and the music and dance forms and dance posture in the murals all reached the highest level in history, gorgeous and colorful. This article takes the Tang Dynasty as the core, takes its time sequence as the diachronic point, takes its multi-cultural fabric as the synchronic face, and discusses the development of Dunhuang murals dance posture in the Tang Dynasty in an all-round way. This paper analyzes the influence of secularization of Buddhism on the music and dance of Dunhuang murals in the history of the Tang Dynasty, as well as the dancing style (continuation and transformation) of the murals deeply influenced by the multiculturalism. To understand the Dunhuang murals music and dance development of the context and the formation of a unique style of music and dance causes. This article is intended to explore the Tang Dynasty music and dance in Dunhuang dance form, dance posture, style causes and the development of music and dance in Dunhuang mural embodiment-which constitutes the main content of this paper. This paper is divided into four parts. The first part is the introduction part, which mainly introduces the related content of the thesis writing, including the origin of the research, the research status and evaluation, the research method and the source of the data. The second part is an overview, mainly from the political, (religious, foreign) culture and foreign music and dance exchanges and other aspects to explore the Tang Dynasty music and dance prosperous reasons. Then it describes the prosperity of Tang Dynasty music and dance, as well as its role in the rich development of Dunhuang mural music and dance. The third part is the key chapter of this paper, which mainly reflects the interaction between Tang Dynasty music and dance and Dunhuang mural music and dance. That is, the influence of Tang Dynasty music and dance on the style of Dunhuang mural music and dance, and the Tang Dynasty music and dance style presented by Dunhuang mural music and dance. And analyzes the influence of Buddhism on mural music and dance one by one, as well as the influence of multi-cultural factors on mural music and dance in Tang Dynasty. On the one hand, let us understand the Tang Dynasty Dunhuang murals music and dance development process. On the other hand, we realize the historical reasons and objective factors of Dunhuang dance style. The fourth part is the conclusion, mainly discusses the Tang Dynasty Dunhuang murals dance posture and contemporary Dunhuang dance creation. This section is our contemporary reflection on the creation and development of Dunhuang dance.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J709.2

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