朱光潜审美筋肉理论及其延伸思考

发布时间：2018-01-08 02:18

本文关键词：朱光潜审美筋肉理论及其延伸思考　出处：《河北师范大学》2008年硕士论文　论文类型：学位论文

【摘要】： 朱光潜先生在他的《文艺心理学》等著作中对西方的主要审美心理学流派做了集中的介绍,尤其是对专注于筋肉理论的“形而下”的方法进行了详细的诠释并有所突破。在美学研究日益与文化研究相结合的当下,我们可以有许多角度去切入美的主题,从朱光潜先生的审美筋肉理论出发,寻找被美学的思辨传统所遮蔽的另一条路径或许会有些不一样的收获。我们可以顺着这一理论的脉络出发去思考西方的完形心理学、思考中国古典美学的意境理论,去追问审美过程中最起初的阶段,身体的感觉为我们印下的深刻烙印,以及这些烙印对审美体验所造成的近乎决定性的影响。这些对我们讲清楚美感如何获得的问题很有帮助。我们通常会强调审美过程中文化积淀的重要意义,但是,但文化的普泛意义上,人类通常会在人与对象之间本质的同一性上去探索美的奥秘,这就是在人与对象之间,人们是从基本的形、色、声、味出发,从感觉、身体出发,进而走向心灵、走向境界的。而所有这一切都为各种各样的艺术类型、艺术个案所印证。所以本论文对审美筋肉理论的思考,就既有对中西方审美心理理论的阐释研究,也有艺术实践的展现。本文由以下四章构成。第一章主要介绍朱光潜先生对审美筋肉理论的阐释。朱光潜在《谈美》和《文艺心理学》中把心理距离、直觉、移情、内模仿组织成一个完整的美学理论体系。以审美心理学的几个重要概念为主线,对美的过程进行了具体的呈现。朱光潜先生的审美筋肉理论集中表现在移情理论和内模仿理论之中,但是直觉理论和距离理论又是这一筋肉理论呈现的必要前奏。第二章主通过分析西方完形心理学中整体论、动力场论、异质同构论等观点,揭示了审美过程实际是主客体之间同构的过程,而这种主客体之间的同构又是客体即审美对象与主体的身体、情感的同构。其中,身体运动或者说筋肉运动模仿的是客体力的样式,外界的物理力与人内在心理的力之间发生了同构。在这两种力的式样同构的过程中,美感得以产生。第三章结合中国传统的意境理论,揭示在审美过程实际上是一个主体和客体交流互动的过程,在这种互动中主体的心理以及生理必然会有一定的反应。审美筋肉理论无疑揭示了意境产生的最初身体感受,而意境的构成也需要从感官的体验进入到心灵的体验,从感性的触发走向境界的浑然天成。第四章在前三章理论探讨的基础上,结合诗歌、绘画、音乐、建筑等艺术门类对审美筋肉理论进行了实践分析。通过分析,我们认识到在审美的过程中,生理的体验对美感的获得具有重大的意义。
[Abstract]:In his works , Zhu Guangqian has made a concentrated introduction to the main aesthetic psychology schools in the West , especially the " metaphysical " method focused on the theory of muscle and meat . The first chapter introduces Mr . Zhu Guangqian ' s interpretation of the theory of aesthetic muscles and meat . Zhu Guangqian ' s psychological distance , intuition , empathy and internal imitation into a complete aesthetic theory system . The second chapter reveals that the aesthetic process is actually the same structure between subject and object by analyzing the whole theory , power field theory and heteromorphism theory in the west end - form psychology , and the same structure between the subject and object is the same structure of the body and emotion of the object , namely , the aesthetic object and the subject . In the third chapter , combining with the traditional Chinese conception theory , it reveals that the aesthetic process is actually a process of interaction between the subject and the object . In this interaction , the body ' s psychology and physiology necessarily have a certain response . The aesthetic fascia theory undoubtedly reveals the initial body feeling created by the artistic conception , and the formation of artistic conception also needs to enter the experience of the soul from the experience of the senses . On the basis of the discussion of the previous three chapters , the article analyzes the theory of aesthetic muscles and meat by combining the artistic categories such as poetry , painting , music , architecture and so on . Through the analysis , we realize that in the process of aesthetics , the physiological experience is of great significance to the achievement of aesthetic feeling .

【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I01

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