论中英文诗歌的翻译诗学观念

发布时间：2018-01-15 18:26

本文关键词：论中英文诗歌的翻译诗学观念　出处：《理论月刊》2013年03期 　论文类型：期刊论文

【摘要】：近年的中英文诗歌翻译研究主要关注译者主体意识和翻译主体性的探讨,并取得了明显的成果,使得译者在翻译活动中的中心地位得以凸显,相反,原诗作者的地位则被忽略。本文就如何看待原诗作者在翻译活动中的地位,如何把握并协调在翻译这一文学活动中,原作者、译者及读者这三者之间的关系提出了自己的翻译诗学观念,认为在充分把握原诗作者的诗学观及其在具体诗歌中体现方式的基础上,译者在译语中应用相应的策略将原诗作者的语言观、美学观、政治观等诗学观完整地再现出来。这种翻译诗学观念能积极主动地使作者、译者及读者三者之间视界融合的和谐统一,是人类文化沟通的一条重要的必经之路。
[Abstract]:In recent years, Chinese and English poetry translation studies mainly focus on the translator's subjective consciousness and translation subjectivity, and have achieved obvious results, which makes the translator's central position in translation activities prominent, on the contrary. The author of the original poem is neglected. This paper focuses on how to treat the author's position in translation and how to grasp and coordinate the original author in the translation of this literary activity. The relationship between the translator and the reader puts forward his own concept of translation poetics and holds that it is based on fully grasping the poetics view of the author of the original poem and the way it is embodied in the specific poetry. In the target language, the translator uses the corresponding strategies to reproduce the poetic views of the author of the original poem, such as language, aesthetics, politics and so on, which can make the author take the initiative. The harmony and unity of horizon fusion between translator and reader is an important way to communicate human culture.
【作者单位】：武汉理工大学外国语学院;
【基金】：湖北省社科基金(20092s0032)
【分类号】：H315.9;I046
【正文快照】： 一、翻译诗学观念提出的原因作为诗歌翻译原则,“翻译诗学观念”有别于以往翻译原则的地方在于,它以认同原诗作者的各种诗学观作为诗歌在跨语言传播中的核心价值为前提,在诗歌的译文文本中再现原诗歌文本中所体现的作者的诗学观。它以纽马克的语义翻译理论为基础,将原诗文本

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