后意象派艺术的理论观、实践观、学习观、技法观

发布时间：2018-01-16 00:11

本文关键词：后意象派艺术的理论观、实践观、学习观、技法观　出处：《四川戏剧》2013年06期 　论文类型：期刊论文

【摘要】：艺术理论与艺术创作,似乎并没有什么本质上的区隔,对人类社会、对客体物状或对艺术受众而言,如像一把高高举起的双面铜镜,只因镜面所朝的方向不同,取舍的角度便自然有所不同而已。书画之径或书画之道,是既可自觉又可自为。学习,既是对人生的一种精神武装,也是对艺术的一种精神武装。但如果是平面型的学习,则只能是对人生精神与艺术精神武装的一种腐蚀或解除。然而平面型学习既活跃于凡夫俗子之中,也藏身于知识分子之中,后意象派艺术家认为:艺术技巧既没有必要联合开发,更没有必要四处兜售,它是专门用来创作自己的艺术尚品之法宝;而不是用来供他人廉价仿冒的艺术伪品之机器。
[Abstract]:There seems to be no essential distinction between art theory and artistic creation. To human society, to the object form or to the art audience, it is like a high raised double-sided bronze mirror, just because the mirror faces in different directions. The way of calligraphy and painting or the way of painting and calligraphy are both self-conscious and self-inflicted. Learning is a kind of spiritual arm of life. It is also a kind of spiritual arm to art. But if it is plane study, it can only corrode or disarm the spirit of life and the spirit of art. However, the study of plane type is active in ordinary people. Also hiding among the intellectuals, the post-imagist artists believe that: there is no need for joint development of artistic skills, much less need to sell around, it is specifically used to create their own art products magic weapon; Rather than a machine for cheap counterfeiting of art.
【分类号】：J110.99
【正文快照】： A篇后意象派艺术的理论观与实践观1)关于艺术本体的精神和要素后意象派艺术家十分确信:艺术不仅是一门知识类概念上的学科或术语;艺术应当是具体指谓上的灵魂暗示和精神裸呈。事实上,任何物体与物种都有其自身的内部律动和特定语言,而不只是人们通常用肉眼便能触及的外壳,或

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