论抗战时期美术创作的精神意义

发布时间：2018-01-22 17:01

本文关键词： 抗战时期美术创作精神意义　出处：《浙江师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：在二十世纪中国美术发展的巨变中,尤为值得关注的现象莫过于抗战时期的美术。正如黄可先生所指出：“在整个新民主主义革命历史进程中,为革命斗争服务的美术活动如火如荼地开展着,使美术作品在整个革命事业中发挥了‘团结人民、教育人民、打击敌人、消灭敌人’的有力作用。” 自1931年“九一八”事变开始,到1937年“七七事变”,再到1945年9月日本投降,艰苦的抗日战争进行了14年。当战火弥漫了中华大地,美术工作者在抗日情绪的带动下,他们以艺术为武器,用版画、漫画、宣传画等各种形式进行抗日宣传和斗争,表现出了高涨的民族精神。在这场关系到民族生死存亡的大搏斗中,中国美术家经历了一场心灵的震荡、情感的冲突和观念的嬗变,他们在全民抗战、挽救中华危亡的历史关头,表现出了积极高涨的爱国主义精神和大无畏的战斗品格。正是这种可贵的精神,使战争克服了重重困难,走向最终的胜利。然而许多的文献只是美术发展的基本状况梳理,较少涉及精神意义的思考。本文通过对抗战时期的美术作品进行详细的梳理,分析其创作的精神意义,进而让我们在作品中更好地读懂这一段历史。在《论抗战时期美术创作的精神意义》这个论文的选题中,着重对四种精神进行论述,即民族精神、战斗精神、团结精神、艺术精神。抗战爆发,我们的民族与国家生存危机,唤醒民众参加抗战成为迫在眉睫的政治任务。由于绝大多数的百姓不识字,以大众化的美术形式和深蕴其中的精神意义,发动群众、宣传群众,进行广泛的民族解放战争,得到了社会各阶层的普遍认同。具有特殊的精神意义的抗战美术有力地鼓舞了人民,凝聚了强大的战斗力,在抗战中起到了重要的作用。今天我们在读图读史中,如果我们把握住抗战时期美术创作的精神,那么将有助于我们更有条理,更为深入的认识与理解这一历史阶段美术发展的意义,从而更为理性的审视这一段美术历史的发展特点及精神内涵。抗战时期的美术创作,是中国美术史上一段不可磨灭的记忆,是中国人民抗日战争宏伟史诗中的一段可歌可泣的历史华章。总之,本论文选题希望能够深入到这既已远去,又时时激励后世独特的美术现象,对其丰富性、复杂性有一份独到的认识与把握。战火已远去,让人们在抗战时期的美术作品中,认识其神圣而独特的精神意义,并使之弘扬光大,尤其在当代对于强化崇高的民族意识与国家地位具有重要意义。
[Abstract]:In 20th century, in the great changes of the development of Chinese fine arts, it is worth paying more attention to than the fine arts during the Anti-Japanese War. Just as Mr. Huang Ke pointed out: "in the whole history of the new democratic revolution." The fine arts activities, which serve the revolutionary struggle, are being carried out in full swing, making art works play a powerful role in the whole revolutionary cause of 'unite the people, educate the people, strike at the enemy, destroy the enemy'. " Since the "918" incident on 1931, the "July 7th incident" on 1937 and the surrender of Japan on September 1945, the bitter War of Resistance against Japan has been going on for 14 years. When the war spread over the land of China. Under the impetus of anti-Japanese sentiment, art workers took art as a weapon and carried out anti-Japanese propaganda and struggle in various forms, such as prints, comics, posters and so on, showing a high national spirit. In this great struggle of the survival and death of the nation, Chinese artists experienced a shock of mind, emotional conflicts and changes of ideas. They were at the historical juncture of the national war of resistance against Japan and the rescue of China from peril. It is this precious spirit that makes the war overcome many difficulties. However, many documents are just the carding of the basic condition of art development, and less involve the thinking of spiritual meaning. This paper analyzes the spiritual significance of the creation of fine arts works during the War of Resistance against Japan by combing them in detail. Then let us better understand this section of history in the work. In the theme of "on the spiritual significance of Art creation during the War of Resistance against Japan", we focus on four kinds of spirits, namely, national spirit, fighting spirit. The spirit of unity, the spirit of art. The outbreak of the War of Resistance, our nation and national survival crisis, wake up the people to participate in the War of Resistance has become an urgent political task, because the vast majority of the people can not read. In order to popularize the art form and the spiritual significance of the mass, mobilize the masses, propagandize the masses, carry out extensive national liberation war. The art of the War of Resistance, which has special spiritual significance, has inspired the people powerfully, condensed its powerful combat effectiveness and played an important role in the War of Resistance. Today, if we grasp the spirit of art creation during the War of Resistance against Japan, it will help us to understand and understand the significance of art development in this historical stage. Thus a more rational examination of the art history of the development of characteristics and spiritual connotations. The art creation during the War of Resistance against Japan is an indelible memory in the history of Chinese fine arts, and it is also a historical chapter in the grand epic of the Chinese people's War of Resistance against Japan. This paper hopes to be able to go deep into this has gone, but also always inspired the future unique art phenomenon, to its richness, complexity has a unique understanding and grasp. The war has gone. In the art works during the Anti-Japanese War, we should recognize its sacred and unique spiritual significance, and make it carry forward the great significance, especially for strengthening the lofty national consciousness and the status of the nation in the contemporary era.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J120.9

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