本雅明视觉思想辨正

发布时间：2018-02-14 20:27

本文关键词： 本雅明视觉思想机械复制全景艺术辩证意象　出处：《学术界》2013年02期 　论文类型：期刊论文

【摘要】：本雅明对视觉文化的思考中最重要的是从生产力发展的角度讨论视觉技术变革对艺术的影响。以(机械)复制技术为代表的视觉技术成为视觉文化来临的技术支撑,大众传媒技术已深刻影响到艺术(文学)写作技巧,作家也由此而成为作为生产者的作家;在机械复制技术主导之下,艺术发生了深刻的变化:一方面是传统艺术的新变,另一方面则是新艺术样式的出现(全景艺术),并由此引发整个艺术生产机制的变革。更为重要的是,本雅明将自己与超现实主义息息相通的艺术气质与马克思主义唯物辩证法相结合,形成独特的"意象的辩证法"的理论运思方式,将拱廊视为资本主义的纪念碑/废墟便是其最为经典的辩证意象。
[Abstract]:The most important thing in Benjamin's thinking on visual culture is to discuss the influence of visual technology change on art from the perspective of the development of productive forces. Visual technology, represented by (mechanical) reproduction technology, has become the technical support of visual culture coming. The mass media technology has deeply influenced the writing technique of art (literature), and the writer has become a writer as a producer. Under the leadership of mechanical reproduction technology, the art has undergone profound changes: on the one hand, it is the new change of traditional art. On the other hand, the emergence of the new art style (panorama art), which leads to the transformation of the whole art production mechanism. Benjamin combines his artistic temperament, which is closely linked with surrealism, with Marxist materialist dialectics, and forms a unique theoretical thinking mode of "image dialectics". To regard arcades as a monument / ruin to capitalism is its most classic dialectical image.
【作者单位】：上海大学文学院;
【基金】：上海市教委科研创新重点项目“当代中国社会转型中的视觉问题研究”(13zs073)支持
【分类号】：J0-02

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