情节与叙事的可能

发布时间：2018-03-09 14:10

本文选题：情节　切入点：叙事　出处：《福建师范大学》2007年硕士论文　论文类型：学位论文

【摘要】： 叙事超越文化、国家和历史，如同空气一样充斥于日常经验——这也许是当今叙事学领域最为时髦的陈词滥调。然而指出社会文本的叙事性质并非难事，也非文学研究的意义所在，其根本在于指出一种“叙事性”得以构建的方式，以及在这一构建过程中被突显被遮蔽的因素。情节负责征服偶然，砍削文本中的骈拇枝指，并赋予文本细节以特定意义和道德意图．情节的设置对于“叙事性”至关重要。晚近结构主义叙事学的发展带来了探讨情节问题的独特技巧，情节的自身纹理及其内部脉络得到另一种考察。与传统的情节研究重视审美性、主体性相比，结构主义的方法更重视情节的内部纹理及其书写语法。其中，一种历史主义的苗头已经出现：它既可以对情节进行条分缕析，又可从情节细部研究走向文化分析，叙事成规的发掘是从形式到历史、从语言到话语的发轫之处。情节，并非一个自明的本质主义概念，叙事理论的内部也并非铁板一块。实际上，情节概念之上积满了学术之锈。由于情节被分别置于“故事”和“话语”的层面被言说，，同一能指在不同语境下呈现出不同的所指和有效性。谱系既明，便可对情节的内部和外部进行考察，如情节的语法、情节与人物与真实的关系，以及情节为何没落，没落之后的命运如何等等。情节设置对于生存可能性维度的开拓力度，是衡量它在叙事实验中之地位的重要尺度。
[Abstract]:Narration transcends culture, country and history, and is as full of everyday experience as air-perhaps the most fashionable cliche in narratology today. However, it is not difficult to point out the narrative nature of social texts. Nor is it the significance of literary research, which basically lies in pointing out a way in which "narrative" can be constructed, and the factors that have been highlighted in the process of construction. The plot is responsible for conquering chance and cutting the parallel hallux finger in the text. And give the text details with specific meaning and moral intention. The setting of plot is very important for narrative. The recent development of structuralism narratology has brought a unique skill to discuss the plot problem, the texture of the plot and its internal context have been investigated in another way. Compared with the traditional plot study, it pays more attention to aesthetics and subjectivity. The structuralist approach pays more attention to the internal texture of the plot and its writing grammar. Among them, a kind of historicism has emerged: it can not only analyze the plot in succession, but also move from the detailed study of the plot to the cultural analysis. The excavation of narrative rules is from form to history, from language to discourse. Plot is not a self-evident concept of essentialism, nor is the interior of narrative theory monolithic. In fact, the concept of plot is full of academic rust. The same signifier presents different references and validity in different contexts. If the genealogy is clear, it can examine the internal and external aspects of the plot, such as the grammar of the plot, the relationship between the plot and the character and the truth, and why the plot fails, What is the fate after the fall and so on. The development of the dimension of survival possibility is an important measure to measure its position in the narrative experiment.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I04

【引证文献】