论新媒体艺术的观念转换

发布时间：2018-03-20 23:01

  本文选题：论新　切入点：媒体　出处：《美术观察》2013年06期 　论文类型：期刊论文

【摘要】：正新媒体艺术的学术渊源最早可追溯至上世纪诞生的达达主义、行为主义、激浪艺术以及观念艺术等先锋艺术流派,这些艺术流派的一个共同特点就是颠覆了人们在传统理念中所秉持的对架上艺术的审美标准,由对艺术品物象的静态审美转移到对事件、过程的审美体验,瞬间的当下和参与者的再创造成为作品表现形式中不可分割的一部分。由于其内涵和外延的不确定性、基础理论的薄弱、研究方法和批评方法的欠缺造成新媒体艺术发展的诸多误区。有人把新媒体艺术的"新"理解为技术的先进性,这不免有些片
[Abstract]:The academic origins of the new media art can be traced back to the vanguard art schools of Dadaism, behaviorism, surge art and concept art, which were born in the last century. One of the common features of these art schools is that they have subverted the aesthetic standards held by people in the traditional concept of art on the shelf, shifting from static aesthetics to the aesthetic experience of events and processes. The instant and the participant's re-creation become an integral part of the expression of the work. Because of the uncertainty of its connotation and extension, the basic theory is weak, The lack of research methods and critical methods has caused a lot of misunderstandings in the development of new media art. Some people understand the "new" of new media art as the advanced nature of technology, which inevitably leads to some films
【作者单位】： 深圳大学艺术设计学院;
【分类号】：J05
，

本文编号：1641171