《奇异的插曲》与《聊斋志异》女性形象比较研究

发布时间：2018-04-01 05:22

本文选题：大母神　切入点：原型　出处：《山东大学》2006年硕士论文

【摘要】：这篇论文从大母神原型这一视角审视比较《奇异的插曲》和《聊斋志异》中的女性人物形象。大母神这一原型在中西方的不同发展路程体现在奥尼尔和蒲松龄的作品中，造成了其中女性人物在形象塑造上的不同之处。论文共分七部分：导言，第一章，第二章，，第三章，第四章，结论。导言是对论文思想构架的整体介绍。首先是对尤金·奥尼尔和蒲松龄笔下的女性人物根据前人研究成果进行的综述。在奥尼尔的观念里，女性总是与“母性”密不可分。所以他笔下的女性人物总带有某种程度的母性特征。她们像母亲对待儿子一样对待身边的男性，爱护他们，同时也霸道的占有他们。这种母性特征与大母神原型遥相呼应。在《聊斋志异》中共有二百多位女性人物。其中有一类最为引人注目。她们大多是狐女，女鬼或各种精怪，拥有奇异的法力，常拯救男性于水火之中。许多学者使用现代流行的心理分析和原型理论分析这类女性，认为她们源于母亲原型，同时具有哺育与杀伐的特性。这一点也是与大母神原型相吻合的。基于这一点，《奇异的插曲》和《聊斋志异》便有了可比较性。导言也对文章的理论框架进行了综合论述。首先，大母神崇拜是人类文明的普遍现象。人类学家和宗教史家们确信，原母神是后代一切女神的原型，甚至可能是一切神的原始雏形。文章分析并总结了大母神这一原型的根源及其基本特征，并论述了这种原型作为人类集体无意识的重要部分对人类思想行为的影响及这种影响的恒久性。接着文章论述了大母神在中西方文明中演变的过程，即从原母神演变成地母，而后演变成性爱女神，最后升华为爱与美的女神。但由于文化背景不同，这种演化的最终结果也略有不同。这种文化的差异正是研究的意义所在。第一章具体论述大母神崇拜发生的时代背景及其主要特征。大母神特指父系社会之前的最大神灵，是狩猎和史前社会的意识形态核心。虽然母系社会已经一去不复返，但是对女神宗教的追忆、怀恋和向往却从未停止。这种追忆，一方面表现为对回归母亲的渴望，另一方面表现为对父权社会的反叛。本章还论述了母神原型的基本特征：善与恶的并存。她是仁慈的母亲，给予生命；她还是残酷的母亲，夺取生命。在这一章最后论述了母神在父权社会的变化。她作为创世神的
[Abstract]:From the perspective of the archetype of the Great Mother God, this paper examines and compares the female characters in "Strange interlude" and "Liaozhai Zhi Yi". The archetypal development of the archetype in China and the West is reflected in O'Neill 's and Pu Songling's works. The paper is divided into seven parts: introduction, chapter one, chapter two, chapter three, chapter four, conclusion. The introduction is an overall introduction to the ideological framework of the thesis. The first is a summary of Eugene O'Neill and Pu Songling's female characters according to previous studies. Women are always inseparable from "motherhood." so the female characters in his writings always have a certain degree of motherhood. They treat the men around them like their sons and love them. At the same time, they are also overbearing. This maternal characteristic echoes the archetype of the Great Mother God. In Liaozhai, there are more than 200 female characters. One of them is the most striking. Most of them are fox women, female ghosts or various geniuses. Many scholars use modern psychoanalysis and archetypal theory to analyze such women, believing that they originated from their mothers' archetypes. At the same time, it has the characteristics of feeding and killing felling. This also coincides with the archetype of the Great Mother God. Based on this, the "strange interlude" and "Liaozhai Zhi Yi" are comparable. The introduction also gives the theoretical framework of the article. Comprehensive discussion. First of all, The worship of the Great Mother God is a universal phenomenon of human civilization. Anthropologists and religious historians are convinced that the original Mother God is the prototype of all the Goddesses of future generations. This paper analyzes and summarizes the origin and basic characteristics of the archetype of the Great Mother God. The influence of this archetype on human thought and behavior as an important part of human collective unconsciousness and its permanence are discussed. Then the paper discusses the evolution process of the Great Mother God in Chinese and Western civilization, that is, from the original Mother God to the Earth Mother. Then it evolved into a goddess of sex and sublimated into a goddess of love and beauty. But the final result of this evolution was slightly different due to the different cultural backgrounds. This cultural difference is the meaning of the study. The first chapter specifically discusses the background and main characteristics of the worship of the Great Mother God. It refers to the greatest deity before the patrilineal society, which is the ideological core of hunting and prehistoric society. Although the matriarchal society is gone, But the remembrance, nostalgia, and yearning of the Goddess's religion have never ceased. This memory, on the one hand, is manifested in the desire to return to the mother, This chapter also discusses the basic characteristics of the archetype of the Mother God: the coexistence of good and evil. She is a kind mother, giving life; she is also a cruel mother. To take life. At the end of this chapter, the change of the mother god in the patriarchal society is discussed.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I0-03;I106.4

【引证文献】