现代艺术设计之人文维度研究

发布时间：2018-04-02 05:35

本文选题：艺术设计　切入点：人文维度　出处：《新疆大学》2013年硕士论文

【摘要】：技术的人文价值和经济价值在当今的“知识经济”时代得到了有力证明，科学与人文的融合对技术进步和经济发展起了巨大的推动作用。现如今，“知识经济”时代是“高技术与高文化联姻”的时代，所以我们需要更加关注科学技术的人文维度，更加重视科学技术与人文知识的交流与整合。有研究数据表明，“‘人文知识’与科学技术在‘知识经济’时代对世界的经济政治格局的影响发生了根本性的变化，‘人文知识’成为了生产、传播和消费的产业对象。现在的‘知识经济’大国不可忽略的且关乎国家兴衰的重要战略资源是以文化产业为代表的文化创新能力、文化评估能力和文化传播能力。”[1] 纵观古今中外设计的发展史，人文维度在设计中早己有之，尤其是在中国古代设计中，人文意识如影相随，不过更多的是封建意识。西方宗教化时期，设计思想充斥着宗教精神，神伦秩序在设计上得到了强烈的表现。实际上，宗教只不过是现实世界的另一种表现方式而己，而神伦秩序是人伦秩序的另一种变相。在工业化革命后，人类征服自然的能力逐渐强大，，获取物质财富越来越容易，社会物质化倾向日愈明显，人的物质欲望愈发膨胀，价值体系日趋利益化，道德观念淡薄了许多。到后工业化时期，人们的物质利益得到了较大满足，在伦理失范、环境恶化、社会不公、资源短缺等问题面前，人们又开始了对社会价值取向的审视和反思，并开始重新高度关注且重视伦理道德等高层次价值理念，形成一个从重视人文到淡漠人文又重新回归到重视人文的社会历史形态。社会价值取向与伦理规范是动态范畴，随着历史的演变而变化，达到与时俱进。人文维度的内涵和规范也会随着时代的变迁有所扬弃，这是社会发展和时代发展的规律与要求。本文拟针对这一规律，对现代艺术设计在高科技时代背景下的人文维度进行研究。本文将立足于现代艺术设计与技术的关系，以古今中外的设计活动为审视对象，阐释人文维度在设计活动中的意义、地位与作用，探索如何在技术与人文中达到动态平衡，通过对现代艺术设计人文维度的合理架构来展望艺术设计的美好未来。
[Abstract]:The humanistic value and economic value of technology have been proved to be powerful in the era of "knowledge economy", and the fusion of science and humanities has played a great role in promoting the technological progress and economic development.Nowadays, the era of "knowledge economy" is the "marriage of high technology and high culture", so we need to pay more attention to the humanistic dimension of science and technology, and pay more attention to the exchange and integration of science and technology and humanistic knowledge.Some research data show that "the influence of 'humanistic knowledge' and science and technology on the world's economic and political pattern has changed fundamentally in the era of 'knowledge economy' and 'humanistic knowledge' has become the industrial object of production, dissemination and consumption.The important strategic resources which can not be ignored by the big country of 'knowledge economy' and which are related to the rise and fall of the country are the cultural innovation ability, the cultural evaluation ability and the cultural communication ability represented by the cultural industry. "[1]Throughout the history of ancient and modern Chinese and foreign design, the humanistic dimension has long existed in the design, especially in the ancient Chinese design, the humanistic consciousness accompanied each other, but more is the feudal consciousness.During the period of Western religion, the design thought was filled with religious spirit, and the order of God was strongly manifested in the design.In fact, religion is just another manifestation of the real world, and the divine order is another disguised form of the order of human relations.After the industrialization revolution, man's ability to conquer nature became stronger and easier to acquire material wealth. The more obvious the social materialization tendency was, the more people's material desire expanded, the value system became more and more beneficial, and the moral concept became weak.In the post-industrialization period, people's material interests have been greatly satisfied. In the face of ethical anomie, environmental deterioration, social injustice, shortage of resources and so on, people have begun to examine and reflect on the social value orientation.And begin to pay more attention to the high level value idea such as ethics and morality, form a social and historical form from paying attention to humanities to indifferent humanities and returning to paying attention to humanities again.Social value orientation and ethical norms are dynamic categories, which change with the development of history.The connotation and norm of humanistic dimension will also be sublate with the change of times, which is the rule and requirement of social development and times development.This article aims at this law, carries on the research to the humanity dimension of the modern art design under the background of the high-tech era.Based on the relationship between modern art design and technology, this paper takes the design activities of ancient and modern countries as the object of examination, explains the significance, status and function of the human dimension in the design activities, and explores how to achieve dynamic balance between the technology and the humanities.This paper looks forward to the bright future of art design through the rational structure of humanistic dimension of modern art design.
【学位授予单位】：新疆大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J05;J0-05

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