无意识是人类进行艺术创作的根源
发布时间:2018-04-20 21:25
本文选题:意识 + 无意识 ; 参考:《天津美术学院》2007年硕士论文
【摘要】: 本文试图从哲学的角度去把握艺术设计的本质。本文认为,现代设计是艺术与科技结合的产物,艺术设计的本质在于开发人的无意识。其核心诉求是让设计者认识自我,也就表现为艺术设计对人的开发。本文认为,这样一种追求有可能改变我们对艺术设计的理解。正是基于这样一种改变了的艺术观,本文提出,不能从纯艺术的角度,而应从“应用”和“生活形式”的角度去重新把握设计的艺术性,设计无形,但是无处不在。艺术已经平民化大众化了,“无设计”成为设计的核心,艺术就是生活。
[Abstract]:This paper attempts to grasp the essence of art design from the philosophical point of view. This paper holds that modern design is the result of the combination of art and technology, and the essence of art design lies in the development of human unconscious. Its core appeal is to let the designer know himself, which is the development of art design. This article believes that such a pursuit may change our understanding of art and design. Based on such a changed view of art, this paper suggests that the artistic nature of design should be regrasped from the angle of "application" and "life form", but not from the point of view of pure art, but everywhere. Art has been popularized, "no design" has become the core of design, art is life.
【学位授予单位】:天津美术学院
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:J06
【参考文献】
相关期刊论文 前1条
1 童世骏;没有“主体间性”就没有“规则”——论哈贝马斯的规则观[J];复旦学报(社会科学版);2002年05期
,本文编号:1779521
本文链接:https://www.wllwen.com/wenyilunwen/wenxuell/1779521.html