论文学艺术的“隔”之美

发布时间：2018-04-21 06:53

本文选题：隔 + 个人空间　；参考：《山东师范大学》2007年硕士论文

【摘要】： “隔”是中国古代文学和艺术领域中的一个重要范畴,但当前学术界对它的研究却限定在王国维思想的框架之中。王国维并不以“隔”为美,恰恰相反,是以“不隔”为美,这就使“隔”在美感上的重要性长期以来被掩盖了。本文拟从“隔”的基本义入手,分析其美学内涵、理论来源、审美形态及其在文学艺术上的审美表现与审美特征,以期较为系统、详尽、准确、清晰地将这一范畴阐释清楚。全文共分为六个部分。导言。归纳当前学术界对“隔”这一范畴的研究现状,指出本文的研究方法、理论价值和论文结构。第一部分,研究“隔”的本义、审“隔”意识的起源、哲学基础及其在中国古代文化思想史上的历史流脉。在审“隔”意识的起源问题上,本文从发生学的视角探讨了人们以“隔”为美的成因。由于原始人无法抵御冬季里北风的凛冽,常常因山掘穴而居,所以山之“隔”给人以温暖感和安全感;并且,高大的山体还是抵御异族入侵的天然屏障。随着人们征服自然的能力增强,山之“隔”的实用功能渐渐转化为人们的心理需要和审美需要,从而产生了以“隔”为美的审美意识。本文研究的重点是第二部分和第三部分。第二部分主要探讨了“隔”之美的审美形态。“隔”之美是一种现实的存在,在社会、自然、艺术领域及人自身都有所体现,而其艺术上的表现形态是重点论述的内容。第三部分探讨了“隔”之美的审美特征,包括其总体特征以及文学、建筑、绘画艺术之“隔”的审美特征。重点论述文学之“隔”。文学之“隔”的审美特征主要体现在两个方面。首先是文学与人生刻意的距离。文学常通过各种方式拉开与人生的距离,比如陌生化的语言、诗的形式、情节的离奇等等。其次是文学语言的遮蔽性之美。文学要表现的是有血有肉的具象世界,而语言却是抽象的符号,这就决定了文学语言具有不可避免的遮蔽性——不能从语言中直接获得视觉享受,而是首先要突破语言符号之“隔”,才能在想象中获得虚在的视觉影象。语言的遮蔽性固然表明它不够直观,却成全了读者的想象,使有限的文本拥有了无限的可开拓的审美想象空间。第四部分探讨了“隔”之美的价值,特别是它所表现的民族审美倾向——对“含蓄”之美的偏爱。第五部分是个案分析。以《红楼梦》中所描述的“大观园”为例来说明“隔”如何在园林布景的实际运用中产生美。主要分析了大观园中的假山、围墙等富有特色的“隔”之美。本文的创新点主要有三个:一是在论题的选择上有独创性,弥补了当前学界对“隔”的研究的不足,将“隔”作为一个独立的美学范畴进行系统的阐述。二是在分析“隔”的总体审美特征时,发掘出“隔”的层次感、距离感、朦胧感和神秘感,从而使“隔”的美感特征更加具体、清晰。这是本文较重要的一个创新点。三是个案的选择上,以大观园为例分析其“隔”之美。这既从一个新的角度发掘了大观园之美,又使“隔”之美有了实实在在的例证。
[Abstract]:"Septum" is an important category in the field of Chinese ancient literature and art, but the current academic research on it is limited in the framework of Wang Guowei's thought. Wang Guowei does not take "septum" as beauty, but on the contrary, it is "not separated" as beauty. This makes the importance of "septum" in aesthetic sense been concealed for a long time. Starting with the basic meaning of "septum", it analyzes its aesthetic connotation, theoretical origin, aesthetic form and its aesthetic and aesthetic characteristics in literature and art, with a view to making this category clear, detailed, accurate and clear.
The full text is divided into six parts.
The introduction summarizes the current research situation of "gap" in academic circles, and points out the research method, theoretical value and thesis structure.
The first part is to study the origin of the "septum", the origin of the consciousness of the "septum", the philosophical foundation and the historical flow in the history of Chinese ancient culture and thought. The "septum" of the mountain often gives people a sense of warmth and security, and the tall mountains are a natural barrier to resist the invasion of the foreign countries. With the ability to conquer nature, the practical function of the mountain is gradually transformed into the psychological and aesthetic needs of the people, thus creating a "septum" trial. A sense of beauty.
This paper focuses on the second and third parts.
The second part mainly discusses the aesthetic form of the beauty of "septum". The beauty of "septum" is a realistic existence, which is reflected in society, nature, art field and human itself, and its artistic expression is the content of emphasis.
The third part discusses the aesthetic features of the beauty of the "septum", including its general characteristics, the aesthetic features of literature, architecture and painting. It focuses on the "separation" of literature. The aesthetic features of the "separation" of literature are mainly embodied in two aspects. The first is the distance between literature and life. Literature is often opened in various ways. The distance from life, such as the language of defamiliarization, the form of poetry, the strangeness of the plot, and so on. The second is the beauty of the masking of literary language. Literature is a world of flesh and flesh, but language is an abstract symbol, which determines the unavoidable concealment of literary language - no direct access to vision from language. To enjoy, but first to break through the "septum" of language symbols in order to obtain imaginary visual images in imagination. The concealment of language shows that it is not intuitive enough, but the reader's imagination is completed, and the limited text has an infinite space for aesthetic imagination.
The fourth part probes into the value of the beauty of "separation", especially its national aesthetic tendency, the preference for "implicit" beauty.
The fifth part is a case study. Taking the "Grand View Garden" described in the "dream of the Red Mansions" as an example, this paper illustrates how the "septum" produces beauty in the practical application of the landscape architecture. It mainly analyzes the beauty of the "septum" with the characteristics of the rockery in the Grand View Garden and the wall.
There are three main innovation points in this article: first, it has originality in the choice of the topic, which makes up for the deficiency of the study of the "septum" in the current academic circles and systematically expounds the "septum" as an independent aesthetic category. The two is to dig out the sense of hierarchy, distance sense, hazy sense and God in the analysis of the general aesthetic characteristics of the "septum". Constipation makes the aesthetic features of the "septum" more specific and clearer. This is an important innovation in this article. Three is the choice of the case and the beauty of the "Daguan garden" as an example, which not only excavates the beauty of the Grand View Garden from a new angle, but also makes the beauty of the "septum" a real example.

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I01

【引证文献】