中日禅宗美学意境比较

发布时间：2018-04-22 19:07

本文选题：禅宗意境 + 空　；参考：《吉林大学》2006年硕士论文

【摘要】： 禅宗在唐时由惠能创立,宋元时传入日本。在中国,禅宗吸收了大乘佛教般若空观和魏晋玄学“有无”与“自然”的心性理论;而日本禅宗并不是简单照搬中国禅宗的思想,在它形成的过程中受到了本土宗教神道教“万物有灵,神皇一体”的教义和原有佛教末世观的影响,其形成的思想与哲学基础与中国禅宗迥然不同,因而,在意识形态与文艺中的禅义发生了较大的变化,在禅宗思想影响下的文学创作也呈现出迥异的风格、境界。中国的禅宗意境,是在善的前提下追求美的最终目的,呈现空灵、冲淡之美,富含着无限的生机;日本禅宗意境因其侧重点的不同分出两种类型,一种是以“寂”为情感基础,看重无常,并喜爱与无常相伴的悲伤情绪,发展出幽玄的空寂与风雅的闲寂两种意境美;一种是与武士道的精神相结合而产生的勇猛刚强、超越善恶的纯粹之境。
[Abstract]:Zen was founded by Huineng in the Tang Dynasty and introduced to Japan during the Song and Yuan dynasties. In China, Zen absorbed the theory of Mahayana Prajna Prajna emptiness and the "existence" and "nature" of metaphysics in Wei and Jin dynasties, while Japanese Zen did not simply copy the Chinese Zen thought. In the course of its formation, it was influenced by the doctrine of the local religion Shinto, "everything is animate, God is one," and the original Buddhist eschatology, the thought and philosophy of which are very different from that of Chinese Zen. Great changes have taken place in the meaning of Zen in ideology and literature, and the literary creation under the influence of Zen thought also presents a very different style and realm. The artistic conception of Zen Buddhism in China is to pursue the ultimate goal of beauty under the premise of goodness. It presents emptiness, dilute the beauty and is rich in infinite vitality. Because of its different emphasis, the Japanese Zen artistic conception is divided into two types, one of which is based on "silence" as the emotional basis. Valuing impermanence, and loving the sadness accompanied by impermanence, develops two kinds of artistic conception beauty: quiet and elegant idleness; one is the bravery and ferocity that combine with the spirit of Bushido and transcend the pure state of good and evil.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I01

【引证文献】