试论中国现当代艺术史中的先锋派概念

发布时间：2018-04-28 12:13

本文选题：先锋派 + 当代中国艺术　；参考：《杭州师范大学学报(社会科学版)》2012年03期

【摘要】：先锋派在中国现当代语境中是一个充满争议的概念。凭借这一概念,不同的艺术和社会想象得到了表述,并且催生出激烈的对话交流甚至是论辩。徐冰对于古元的重新解读是一个及时的提醒,即中国现代艺术领域的先锋派有着漫长而复杂的历史。而延安艺术运动就可以被视为20世纪最为杰出的先锋运动。进一步说,中国的20世纪50-70年代是一个艺术体制经受巨大改造的时期,它被迫向政治开放自身,与政治相同步,与当下政策和社会运动相同步。另一方面,早先时刻所包含的先锋含义只有在当代中国艺术被称赞为后革命先锋派的时候才是可理解的。毛泽东形象在当代艺术中的复兴尤其是一系列与《毛主席去安源》相关的作品的出现尤其值得注意。通过重访这些形象,当代艺术家使我们有可能理解过往时刻的激进差异性以及并未消散的启迪。他们提醒我们去关注当代艺术复杂的历史起源,并且在理解20世纪中国文化与社会的过程中重新肯定先锋派概念的批判性价值。
[Abstract]:Avant-garde is a controversial concept in Chinese modern and contemporary context. By virtue of this concept, different artistic and social imaginations are expressed, and heated dialogue and even debate emerge. Xu Bing's reinterpretation of Gu Yuan is a timely reminder that the avant-garde in modern Chinese art has a long and complicated history. Yan'an Art Movement can be regarded as the most outstanding pioneer movement in the 20 th century. Furthermore, the 1950s and 1970s in China was a period of great transformation of the art system. It was forced to open itself to politics, to keep pace with politics, to keep pace with current policies and social movements. On the other hand, the avant-garde implications of earlier moments are understandable only when contemporary Chinese art is praised as a post-revolutionary avant-garde. The revival of Mao Zedong's image in contemporary art especially the emergence of a series of works related to Chairman Mao's going to Anyuan is particularly noteworthy. By revisiting these images, it is possible for contemporary artists to understand the radical differences of the past and the inspiration that has not dissipated. They remind us to pay attention to the complex historical origin of contemporary art and reaffirm the critical value of the concept of avant-garde in the process of understanding Chinese culture and society in the 20th century.
【作者单位】：密歇根大学比较文学系;上海大学文学院;
【分类号】：J120.9

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