论审美物化

发布时间：2018-05-04 22:21

本文选题：物化 + 境界　；参考：《山东师范大学》2006年硕士论文

【摘要】： 源之于《庄子·齐物论》的“物化”说,本是一个哲学范畴,是庄子“齐物”思想和“逍遥游”思想的象征性表达。由于与人类艺术思维的内在规律相通,“物化”说对后世的文学创作、文学理论、审美活动,乃至在人格美塑造等方面也都产生了极其巨大的影响,且已成为中国美学中一个有着独特意蕴的重要理论范畴。但就目前的研究现状来看,对于这一范畴,不论在“物化”含义、“物化”境界,还是在“物化”与创作的关系等方面,都有进一步探讨的空间和必要。本文结合文艺创作实际,用心理分析、比较分析等方法,对庄子的“物化”思想予以进一步发掘,在以下四个方面提出了自己的观点。第一,本文认为“物化”的含义不能仅仅局限在“物我界限消解、万物融化为一”的层面,这一层面概括的尚只是物化的“齐物”境界,也即“齐物无我之境”。其实,“物化”所体现的更重要的是庄子的“逍遥游”思想。在物化的“齐物无我之境”之上,还有一个“逍遥游”的境界,也即“神与物游”的“逍遥有我之境”。因此,“物化”的含义应该是“物我界限消解、万物融化为一的神与物游的心理境界”。第二,与“物化”的含义相一致,本文认为庄子“物化”的境界也并非止于“无我”,而实际上是“兴而超然”、“化而无我”、“游而至乐”的层进式的三重境界。“兴”侧重于心灵内部的提升,是内化的过程;“化”侧重于主体外部的超越(即超越自身,齐平万物),是外化的过程;“游”侧重于新的主体的自由活动(即逍遥游),是内化与外化后审美体验所达至的极至状态。在“物化”之前,人好比是一个“茧蛹”,既受到外壳(即“形”)的束缚,又受到内在的能力(也即“有累的心”)的束缚。“兴”作为内部的孕育提升,可以看作是逐步摆脱“有累的心”的束缚的过程,也即由“蛹”孕育成“蝶”的过程,摆脱了人与万物在质素差异上的纷扰;“化”作为外部的超越,好比“金蝉脱壳”摆脱外壳(或“形”)
[Abstract]:The theory of materialization originated in Zhuangzi's Theory of Qi is a philosophical category and a symbolic expression of Zhuangzi's thought of "Qi thing" and "Happy Tour". Because of the connection with the inherent law of human artistic thinking, the "materialization" theory has had a great impact on the literary creation, literary theory, aesthetic activities, and even the shaping of personality beauty in later generations. And has become an important theoretical category with unique implications in Chinese aesthetics. However, from the current research situation, there is room and necessity for further discussion on this category, whether in the meaning of materialization, in the realm of materialization, or in the relationship between materialization and creation. This article combines the literary and artistic creation reality, uses the psychological analysis, the comparison analysis and so on, further excavates Zhuangzi's "materialization" thought, in the following four aspects proposed own viewpoint. First, this paper holds that the meaning of "materialization" can not be confined to the level of "the boundary of matter and self is dissolved and everything melts into one", which generalizes only the realm of "the same thing" of materialization, that is, "the boundary of the same thing without oneself". In fact, "materialization" embodies more important is Zhuangzi's "free-fetching" thought. Above the materialized "Qi thing without self", there is a realm of "free and unfettered travel", that is, "God and things swim" "free and unfettered state". Therefore, the meaning of "materialization" should be that "the boundary of matter and self is dissolved, and all things melt into the psychological realm of God and things." Secondly, consistent with the meaning of "materialization", this paper holds that the realm of "materialization" of Zhuangzi does not end in "no self", but is actually a triple realm of "exhilaration and transcendence", "transformation without self" and "swimming to joy". "Xing" focuses on the internal promotion of the mind, is the process of internalization, and "transformation" focuses on the external transcendence of the subject (that is, transcending oneself, leveling all things, is the process of externalization; The "swim" focuses on the free activities of the new subject (that is, the free travel), which is the extreme state of aesthetic experience after internalization and externalization. Before materialization, man was like a cocoon pupa, bound by both the outer shell (form) and the inner ability (that is, "tired heart"). "Xing", as the internal breeding and promotion, can be seen as the process of gradually getting rid of the shackles of "tired heart", that is, the process from "pupa" to "butterfly", and getting rid of the confusion between human beings and all things in terms of quality. "change" as an external transcendence, as "golden cicada shelled" to get rid of the shell (or "shape")
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I01

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