艺术人文学在当代西方的确立及其对中国的启示

发布时间：2018-06-01 09:04

本文选题：艺术人文学 + “类艺术”　；参考：《人文杂志》2013年06期

【摘要】：对艺术的理解离不开它特定的文化与思想语境。对艺术语境化的理解也使得重提"什么是艺术"之问成为必须。随着现代艺术的发展给艺术的定义和分类提出了挑战,一个崭新的概念——"类艺术"应运而生。作为新近出现的艺术术语,"类艺术"与人文学密切相关。价值是人文学研究的核心问题,事关人类利益。面对价值,人文学采取的方式是分析研究,而艺术则是揭示价值。艺术人文学认为,一件艺术品包含四个紧密结合的维度,即FPCS模式:艺术形式、观者介入、内容和主题,没有揭示某种价值,形式与内容没有合一的艺术品就是"类艺术"。"类艺术"概念的出现进一步落实了艺术人文学,凸显了价值在艺术活动中的核心地位。无疑,基于价值的艺术人文学对剖析当代文艺和"中国艺术人文学"的建设具有积极的启发意义。
[Abstract]:The understanding of art is inseparable from its specific cultural and ideological context. The understanding of art contextualization also makes it necessary to raise the question of "what is art" again. With the development of modern art, the definition and classification of art have been challenged. As a new art term, "like art" is closely related to humanities. Value is the core issue in the study of human literature, which is related to the interests of human beings. In the face of value, the way of humanism is to analyze and research, while art is to reveal value. Art humanism holds that a piece of art consists of four closely combined dimensions, namely, the FPCS model: art form, audience intervention, content and theme, without revealing a certain value, art without the unity of form and content is a "kind of art". " The emergence of the concept of "similar art" further implements the art humanities and highlights the core position of value in artistic activities. There is no doubt that the value-based art humanism has a positive enlightening significance for the analysis of contemporary literature and art and the construction of Chinese art humanities.
【作者单位】：北京大学中文系;
【分类号】：J110.9

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