“物派”的艺术语言研究

发布时间：2018-06-10 13:49

本文选题：物派 + 艺术　；参考：《中央美术学院》2007年硕士论文

【摘要】： 本文选取20世纪70年代前后在日本出现的现代艺术流派“物派”作为研究的对象。“物派”艺术在世界艺术由现代主义向后现代主义过渡的时期出现，是体现了东亚独特性质的重要艺术流派。研究“物派”的艺术语言对于探索东方独特的艺术潜质具有重要作用。作为同属东方，并且处于高速发展中的中国来说，在日本经济腾飞时期出现的“物派”艺术是值得我们研究的经典艺术案例。本文采取的研究方法主要是对史料和文献进行考察。通过对国内外有关文献考察，分析“物派”形成的社会、历史、因素；梳理“物派”形成的过程；并且进一步的分析“物派”的艺术语言和其历史价值。中国艺术界对“物派”的关注比较少，，至今为止还没有研究“物派”艺术的专著。所以本文尝试着重对“物派”语言的成因与形成过程进行梳理，并在此基础上对“物派”的语言方式进行分析和研究。 “物派”艺术出现在1968年，这时日本正处在二战后，经济跃居世界第二的鼎盛时期。“物派”的成因融合了东方的禅宗思想以及西方的现代文明。“物派”艺术的形成起始于关根伸夫的作品《位相—大地》与李禹焕的艺术理论的相遇。“物派”艺术主要以自然物作为材料，基本不经加工，作品注重物与物、物与空间的关系，意于将物本身消解到时间与空间中，开启本质的世界。“物派”的艺术语言是具有东方特性的艺术语言，不仅是亚洲现代艺术中的经典，也得到了西方艺术界的关注。
[Abstract]:This article selects the modern art school, which appeared in Japan before and after the 1970s, as the object of study. The art of "material school" appears in the period of the transition of world art from modernism to backward modernism. It is an important school of art which embodies the unique nature of East Asia. Special artistic potential plays an important role. As the East, and in the rapid development of China, the "material" art appeared in the period of Japanese economic takeoff is a classic art case worthy of our study.
The research method adopted in this paper is mainly to investigate the historical materials and literature. Through the investigation of the relevant literature at home and abroad, this paper analyzes the society, history and factors formed by the "School of material", combing the process of the formation of the "School of material", and further analyzing the artistic language of the "School of material" and its historical value.
The Chinese art circles have less attention to the "School of material". So far, there is no monograph on the art of "material school". So this article tries to focus on the formation and formation of the language of the "School of material", and on this basis, the language of the "School of material" is analyzed and studied.
The art of "School of things" appeared in 1968, when Japan was at the height of the world's Second World War after World War II. The cause of "the school of things" fused the Oriental Zen thought and the western modern civilization. The formation of "the school of things" originated from the encounter of Sekine Nobuo's works < phase earth > with Li Yuhuan's art theory. The art of material school mainly takes natural objects as material, basically without processing. The work pays attention to the relationship between objects and things, and the relationship between objects and space. It means to unlock the object itself into time and space and open the essence of the world. The art language of "the school of things" is an art language with the characteristics of the East, not only the classic of modern Asian art, but also the West. The attention of the art world.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J131.3

【参考文献】