当前位置:主页 > 文艺论文 > 文学理论论文 >

当代艺术媚俗与先锋现象的互仿研究

发布时间:2018-06-23 13:29

  本文选题:媚俗 + 先锋 ; 参考:《河南大学》2014年硕士论文


【摘要】:本文以艺术中媚俗与先锋互仿现象为切入点,针对当前媚俗与先锋现象互仿研究,通过考察西方艺术史,以当代哲学美学为思想指导,着重论述媚俗与先锋互仿现象的原因,并对其产生的影响进行论述。 本文采用历史分析与逻辑推导相结合的方法,,在绪论部分着重考察媚俗与先锋互仿现象的研究现状,阐述本选题的意义及创新之处。全文共分三章: 第一章论述当代艺术媚俗与先锋互仿的表现。分别追溯了媚俗与先锋的历史源头:媚俗指的是造假、模仿、廉价的大众艺术,媚俗是对“美”的戏仿;而先锋派最早来自于军事、政治是一种不断反叛甚至反叛自身的艺术,先锋派是对“真”的戏仿,在此基础之上媚俗与先锋互仿得以可能,即媚俗模仿先锋和先锋模仿媚俗。 第二章具体分析了媚俗与先锋互仿的三大原因。第一、日常生活审美化,艺术与生活的界限逐渐模糊。第二,大众媒介手段的介入,大众媒介创造了一种抹平的文化,在先锋与媚俗的互仿中,艺术变得既不是先锋也不是媚俗而是一种全面抹平的文化。第三、艺术与商业的结合是艺术走向市场,走向世俗化的过程。 第三章指出了媚俗与先锋互仿的影响,即:艺术与非艺术界限的消失、艺术内部界限的消失、雅俗界限的消失和真实与虚构的界限的消失。阐明了当代艺术中媚俗与先锋互仿现象的影响。 结论部分总结全文,阐明对当代艺术中媚俗与先锋的探讨有助于理解当代艺术,揭示媚俗与先锋互仿现象的存在本质。
[Abstract]:Taking the phenomenon of the mutual imitation of kitsch and Avantgarde in art as the breakthrough point, this paper aims at the study of the mutual imitation of kitsch and vanguard, and through the investigation of the history of Western art and the thought of contemporary philosophy and aesthetics, focuses on the reasons of the phenomenon of the mutual imitation of kitsch and vanguard, and discusses its influence.
This paper adopts the method of combining historical analysis with logical deduction, and focuses on the research status of the phenomenon of kitsch and vanguard interaction in the introduction part, and expounds the significance and innovation of this topic. The full text is divided into three chapters:
The first chapter discusses the expression of the mutual imitation of the contemporary art of kitsch and Avantgarde. It traces back to the historical origins of kitsch and vanguard: kitsch refers to counterfeiting, imitation, cheap mass art, kitsch is parody of "beauty", and the avantgarde is first from the military, and the politics is a kind of constantly rebellious and even rebellious art, the avant-garde is the " On the basis of the parody of truth, it is possible that kitsch and vanguard can be imitated each other, that is, kitsch imitate vanguard and vanguard imitate vulgarity.
The second chapter concretely analyzes the three reasons for the mutual imitation of kitsch and vanguard. First, the beauty of daily life is beautified, and the boundary between art and life is gradually blurred. Second, the mass media means the intervention, the mass media creates a kind of smooth culture. In the avantgarde and kitsch, the art becomes neither vanguard nor kitsch but a comprehensive application. Flat culture. Third, the combination of art and commerce is the process of art going to the market and secularization.
The third chapter points out the influence of the mutual imitation of kitsch and Avantgarde, that is, the disappearance of the boundary between art and non art, the disappearance of the inner boundary of art, the disappearance of the boundary of elegance and vulgarity and the disappearance of the boundary between the real and the fictitious.
The conclusion summarizes the whole article, and expounds that the exploration of kitsch and vanguard in contemporary art helps to understand contemporary art and reveal the essence of the phenomenon of imitation between the vulgar and the vanguard.
【学位授予单位】:河南大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J0

【参考文献】

相关期刊论文 前5条

1 克莱门特·格林伯格;秦兆凯;;前卫与媚俗[J];美术观察;2007年05期

2 易英;全球化背景下的中国前卫艺术[J];美术研究;2001年03期

3 何桂彦;;“新媚俗”绘画的三种类型[J];美术研究;2008年01期

4 景凯旋;关于“刻奇”[J];书屋;2001年12期

5 何桂彦;;对新媚俗主义的批判[J];中国书画;2007年07期



本文编号:2057270

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wenxuell/2057270.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户246d2***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com