对话与自省:中国文学批评中的诗教观——从雅柯布森的文学诗性主导观谈起

发布时间：2018-07-22 20:10

【摘要】：罗曼·雅柯布森从语言学进入文学研究,基于语言传达六因素,提出了文学(艺术)的"诗性"主导观,将文学之"文学性"研究推进到了一个新的阶段,也是确立文学独立性的重要手段,对理解中国传统文学批评中的诗教观颇有启发意义。先秦的"诗言志"和孔子的诗论并未将教化功能视为诗之唯一,同时也强调了诗的形式特征和其他社会功能,自汉以后文学的诗教观成为传统,非匀速地渗入中国文化的血脉成为一种"集体无意识",乃至影响到当代文学批评。当下文学批评无论是对文学思想性责任感的强调,还是对其快餐化娱乐性的批判,秉承的都是诗教观传统,文学批评对文学的干预方向依然是违背文学的独立性的。
[Abstract]:Roman Jacobson entered the study of literature from linguistics. Based on the six factors of language communication, Roman Jacobson put forward the dominant view of "poetry" in literature (art), which pushed the study of "literariness" of literature to a new stage. It is also an important means to establish the independence of literature, which is instructive to understand the view of poetry and education in Chinese traditional literary criticism. In the pre-Qin Dynasty, the "poetic aspiration" and Confucius' poetic theory did not regard the function of enlightenment as the only poem, but also emphasized the formal features and other social functions of the poem. Since the Han Dynasty, the concept of poetry education in literature has become a tradition. The non-uniform infiltration of Chinese culture into the bloodline becomes a "collective unconscious", and even affects contemporary literary criticism. Whether the current literary criticism emphasizes the sense of literary ideological responsibility, or criticizes its fast-food entertainment, it adheres to the tradition of poetry and education, and the intervention direction of literary criticism is still contrary to the independence of literature.
【作者单位】：西北师范大学文学院;
【基金】：国家社科基金重大项目《当今中国文化现状与发展的符号学研究》(13&ZD123)阶段性成果西北师范大学青年教师科研能力提升计划骨干项目(SKGG14002)阶段性成果
【分类号】：I06

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