影像时代的小说图景
发布时间：2018-07-29 09:15
【摘要】： 本文意欲在影像化的大背景下,对影像时代的小说进行分类比较,阐述从小说到影视作品的美学诉求,探寻小说影像化的原因。 全文约三万七千余字,除引言和结语外,主体部分共分四章。 引言部分简述了小说“影像化”产生的时代背景,综合评述了小说“影像化”的研究现状,指出了本文的研究内容及论证方法。 第一章通过梳理小说与影视结缘的历史轨迹来论述二者相互影响的表现。一方面小说为影视剧提供了多方面的营养,加速了影视剧的艺术化进程。另一方面,影视剧促使小说进行系统调整,“影视化”已成为当代小说的新景观。 第二章以影像时代为背景,依据小说与影视的关系对其进行大致分类,展示影像时代的小说图景。这其中既有被改编成影视剧的小说,也有根据影视作品改编成的小说,还有与“影像化”格格不入,形成对峙的小说。 第三章阐释了从小说到影视作品的美学追求,这种美学追求实际上就是在影视思维的统领之下,运用影视手段对小说原作的风格特征和内在精神气质的重新把握,通过对小说中可视化元素的提取和锤炼,在提纯原作中“小说能量”的前提下,运用强有力的视觉形象,对小说进行“影像化”改造。 第四章分别从当下时代的文化背景、创作主体和受众三个方面探讨了小说“影像化”现象的成因,具体表现为:视觉文化时代的来临、作家受“名和利”的诱惑以及欣赏者对“读和看”的不同需求。 结语认为影视需要小说,小说也需要影视。影视为小说提供了展示其风采的舞台;小说以其独具的审美方式,积极地作用于影视艺术的审美活动。这种二元并生、互动的艺术格局既说明了现在,并能昭示将来。
[Abstract]:This article is intended to make a comparison of the novels of the age of image in the background of the image, and to explain the aesthetic appeal of the novels from the novels to the film and television works, and to explore the reasons for the image of the novel.
The text is about 37000 words. Besides the introduction and conclusion, the main body is divided into four chapters.
The introduction gives a brief account of the background of the generation of the novel "imaging", reviews the current research status of the "image" of the novel, and points out the research content and the method of demonstration.
The first chapter deals with the mutual influence of the two parties by combing the historical track of the relationship between the novel and the film and television. On the one hand, the novel provides many aspects of the nutrition for the film and television dramas, and accelerates the artistic process of the film and TV drama. On the other hand, the film and TV play has promoted the systematic adjustment of the novel, and the "film and television" has become the new landscape of the contemporary novel.
The second chapter, based on the background of the image age, gives a general classification of the relationship between the novel and the film and television, showing the picture of the age of the image, which includes both the novels adapted into the film and television dramas, the novels adapted from the film and television works, and the confrontation with the "image" grid.
The third chapter explains the aesthetic pursuit of the novel to the film and television works. This aesthetic pursuit is in fact a new grasp of the style and inner spirit of the original works by film and television means under the guidance of the thought of film and television. Through the extraction and refinement of the visual elements in the novel, the "novel energy" is purified in the original works. Under the premise, we use the strong visual image to transform the novel into "image".
The fourth chapter discusses the causes of the "image" phenomenon of the novel from the cultural background of the present era, the creative subject and the audience in three aspects, including the coming of the age of visual culture, the temptation of the author "name and profit" and the different needs of the appreciating "reading and seeing".
The conclusion is that film and television need novel, and the novel also needs film and television. Film and television provide a stage for the novel to show its style. The novel plays an active role in the aesthetic activities of film and television art with its unique aesthetic way. This two yuan and interactive art pattern not only illustrates the present, but also shows the future.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I054;J905
本文编号：2152213
[Abstract]:This article is intended to make a comparison of the novels of the age of image in the background of the image, and to explain the aesthetic appeal of the novels from the novels to the film and television works, and to explore the reasons for the image of the novel.
The text is about 37000 words. Besides the introduction and conclusion, the main body is divided into four chapters.
The introduction gives a brief account of the background of the generation of the novel "imaging", reviews the current research status of the "image" of the novel, and points out the research content and the method of demonstration.
The first chapter deals with the mutual influence of the two parties by combing the historical track of the relationship between the novel and the film and television. On the one hand, the novel provides many aspects of the nutrition for the film and television dramas, and accelerates the artistic process of the film and TV drama. On the other hand, the film and TV play has promoted the systematic adjustment of the novel, and the "film and television" has become the new landscape of the contemporary novel.
The second chapter, based on the background of the image age, gives a general classification of the relationship between the novel and the film and television, showing the picture of the age of the image, which includes both the novels adapted into the film and television dramas, the novels adapted from the film and television works, and the confrontation with the "image" grid.
The third chapter explains the aesthetic pursuit of the novel to the film and television works. This aesthetic pursuit is in fact a new grasp of the style and inner spirit of the original works by film and television means under the guidance of the thought of film and television. Through the extraction and refinement of the visual elements in the novel, the "novel energy" is purified in the original works. Under the premise, we use the strong visual image to transform the novel into "image".
The fourth chapter discusses the causes of the "image" phenomenon of the novel from the cultural background of the present era, the creative subject and the audience in three aspects, including the coming of the age of visual culture, the temptation of the author "name and profit" and the different needs of the appreciating "reading and seeing".
The conclusion is that film and television need novel, and the novel also needs film and television. Film and television provide a stage for the novel to show its style. The novel plays an active role in the aesthetic activities of film and television art with its unique aesthetic way. This two yuan and interactive art pattern not only illustrates the present, but also shows the future.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I054;J905
【引证文献】
相关硕士学位论文 前3条
1 邱璇;文艺传播学视域下小说文本到电影文本的转变[D];广西民族大学;2012年
2 王珏;刘震云小说的影像化阐释[D];上海师范大学;2012年
3 许珍;20世纪90年代以来小说影视转化现象研究[D];沈阳师范大学;2013年
，本文编号：2152213
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